If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 19th January 20251. MohSinger: Isheeta Chakravarty Composer, Producer: Project Damru Lyrics: Nawab Sadiq Jung Bahadur 'Hilm' Sitar: Soumitra ThakurLanguage: HindiGenre: Semi-classical PopMood: TrippyIsheeta Chakravarty will ensure that your focus is unswerving and remains loyal to her delivery. A stunning performer with immense character and abilities to move across genres, Isheeta delivers a hauntingly good semi-classical number here. The composition and production are by Ashish Jha a.k.a Project Damru and the ingenuity lies in adding so many layers of arrangements.The lyrics are penned by Nawab Sadiq Jung Bahadur 'Hilm'. The heavy keys and synths add to the mystery, but the Sitar by Soumitra Thakur gives the tranquillity that your heart desires. Soumitra goes on to bamboozle you with the solo in the interlude. The melody twists and turns and probably moves across many scales, I could sense some Raag Sindhubhairavi at some point. The end of the interlude makes me feel cathartic with the slowed-down tempo and one magical piece on the Sitar and Pianos together.Take a bow Project Damru for what you have created, here as we have harmonies and strings section working together and giving me the chills. The electronic-pop nature of the song is scintillating and only a musician of great vision and abilities can produce something of this quality. Kudos to Vipul Angrish who has mixed and mastered the tracks and Anindo Bose, Keshav Dhar for working as the recording engineers.  @projectdamru @soumitra_thakur @firstwav @isheeta.c @keshavdhar @anindobose @audiosol.in @clandestinelabindia2. BeganaMusic Composer - Raghav Chaitanya Singer - Raghav Chaitanya Lyrics - Raghav Chaitanya, Traditional Music Production By - Mir Desai Language: HindiGenre: PopMood: SoothingHe is a noteworthy talent, this Raghav Chaitanya. I have seen him perform with great eloquence as a lead vocalist for many composers, but he also shines as a composer like this one here. This single is written, composed and performed by Raghav and the song gets a facelift with the production thanks to Mir Desai. Ishan Das' gentle acoustic guitar and Raghav's soothing voice both treated us well in the intro and verse of the song. The accompanying vocal harmonies are stunning and my hair starts rising when I hear "Jazbaat ko samjhaana" with Aniruddh Anantha performing and designing the backing vocals. Raghav knows how to carry a song forward with his vocals, because he strikes you with the rawness, rather than overdoing any parts. The vibrato is mild but meaningful. The introduction of bass guitars and the Dholak is where the song makes a move into the next zone of enchantment. Ishteyak Khan plays the Dholak and Tabla, and Biswajit Chakraborty is the bassist. The line really hits you when he sings " kyun aankh milaayi thi, kyun aag lagayi thi". Wait for it, as the song moves into the chorus segment and we get an Indian rock flavour to the song now. Nawaz Hussain pumps it up with the drums and Ishan Das adds fuel to the fire with the electric guitars. Well done Mir Desai, on the arrangements and production. The amazement doesn't stop here as Bhagirath Bhatt sizzles on the Sitar solo in the interlude. Mir joins on additional backing vocals, and as the song progresses the interventions on the electric guitar, the Sitar and Aalap by Raghav combine and crackle together. I love the mild humming on the harmonies when we hear the line "Joh to ho wahi main hoon, bas farak zara sa hai". The recording engineers are Partha and Nishant at Euphony Studio. Shadab Rayeen is the mix and master engineer with Akash Sawant working on the team as well. @raghavchaitanya @tseries.official @kanikkakapur @tru_makers @mirdesai16 @ishandas_666 @bhagirath.bhatt @biswajitchakraborty_bass @ishteyakkhanofficial @shadanrayeen 

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 12th January 20251. Nee Ariyathoru (2024)Music Arranged Composed & Produced - Rahul Raj Lyrics - Rafeeq Ahamed Vocals - Suchith Suresan Language: MalayalamGenre: Light MusicMood: InspiringYou can call this a cracker of a song, and for that, I salute Rahul Raj, who has composed the melody, and done all the arrangements and music production for this. Suchith Suresan serenades you with his vocals and Sandeep Mohan's acoustic guitar follows gently in the background. As we come to the title line Rahul allows the wave of strings to affect us, thanks to the brilliant collective called "Arioso Quintet". Subin Kumar Sravan Krishnakumar, Nibu Mathew, Anil Antony, and Albin Jose play the Violins and Violas. Albin is the Cellist as well. The interlude is like a dream that you want to keep seeing forever, with the flow of violin solo and the violas and cello in the background, not to forget Sandeep's bass guitars and Rahul's keys and synths. The stanza makes a dramatic shift as we get a heavy electronic pop/synth pop texture to the song. "Kaarmukil niramaarilay" Suchith sings and the notes change so unpredictably with "chaayum ninnalaay", kudos to Rahul and Raafeq Ahamed for writing something like this, both in terms of melody and lyrics. The song makes you fly high with the subsequent line " ethoo mookamam smitham" accompanied by Sruthy Sivadas on backing vocals. I feel this one of Rahul Raj's best in the last year or so, and the song offers tremendous potential to uplift the listener's mood. You can do a little headbanging yourself towards the outro as we get a fabulous rhythm production bit by Rahul. The recording engineers are Santom 2barQ, Shiju Ediyatheril & Amal Raj @ Audiogene Sound Studios, Nikhil Kakkochan @ Freddys AVG (Strings) and John Mathews @ Pop Media House. The tracks are mixed and mastered by the ingenious Vivek Thomas at VTP studios with assistance from Sibin Wilson. @rahulrajmusic @sharanvenugopal @jojugeorgeactor @surajvenjaramoodu @goodwillentertainment @shelly.n.kumar @thomas__mathew @rafeeq_ahamed_ @shiju_ediyatheril @gibsandeep @sruthy_sivadaas @arioso_string_quartet @vivekthomasproductions @sravan.krishnakumar @albinjose.in2. Oliyin Mugavari (2024)Composition, Production, Arrangement & Orchestration: Raghav Hrishikeshan Lyrics: Preethi Venkatesan Vocals: Sathyaprakash Dharmar, Keerthana VaidyanathanLanguage: TamilGenre: Orchestral BalladMood: SoothingThis is a solid composition and an even better production. Raghav Hrishikeshan deserves praise for creating something beautiful, meaningful, and worthy. He handled all the arrangements, orchestration, and production, and that is no mean feat. We hear the Choir Ensemble right at the intro along with the flute solo by Sandeep Vashishta. The peace and tranquillity are undeniable, and within the first 45 seconds, Raghav proves his worth. The strings performed by the Budapest Scoring Orchestra Orchestration invite the listener deeper into this maze of orchestral music. Srikant Krishna makes his mark by preparing the score and Balasubramanian G is the Orchestra Coordinator. The melody begins and it is complex in writing, which only talented performers like Sathyaprakash Dharmar and Keerthana Vaidyanathan can deliver with precision and style. The vocalists sweeten the deal even more and we are reminded of songs like "En Iniya Pon Nilave" and "Mandram Vandha" by Maestro Ilaiyaraja. Thank you Raghav for writing such a fabulous melody and elevating it with terrific live instrumentals and a Symphony Orchestra. Keerthana performs the opening lines in the baritonish scale with some stunning bassline support and constant Choral and String section support. Keba Jeremiah can be heard playing all the guitars Nylon and STeel-string with the solid Napier Naveen on bass. The line that haunts me with its beauty is " manadhinil thondridum, mayakkamum karaindha pogum ura paniyena vilagidum". Preethi Venkatesan takes you to the world of these protagonists through her amazing lyrics. The voices we hear in the Choir Ensemble are Nayza Rose, Rebekah Alexander, Azriela Maben, Nidhi Samuel, Ryan Jacob, Chenjeri, Satvik, Abishek Gnanaraj and Devaraj Gopalakrishnan. As we head to the second interlude I am recalling the beauty, of Maestro Ilaiyaraja's "Oh Butterfly" in the tone and mood. Sandeep gives a Bluesy touch with his saxophone and Kuberan provides some energy through his percussion. The song transforms our mood and the whole team contributes with great efficacy. Raghav plays the keys and synths, and all the additional production is by Girish Lakshmanan. The recording engineers are Biju James, Abin Ponnachan at Studio UNO Records, Chennai and Nishant P Das at Euphony Records, Mumbai. Nitin Muralikrishna does the Stereo and Atmos mix and master for this. @raghav

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 29th December 20241. Aaghaz-E-IshqMusic Composed and Produced by Satyajeet JenaSingers: Satyajeet JenaLyrics by Mrityunjay PandeyLanguage: HindiGenre: Sufi-PopMood: RomanticSatyajeet Jena comes out of nowhere and creates this Sufi stunner, and I am trying to take my mind away from the song to be able to pen the next word of the review. The song is classy, with oodles of melodic goodness and it is written and produced by Satyajeet, with lyrics by Mrityunjay Pandey. I am taken back to the Lord of Sufi Music in Indian movies i.e. AR Rahman. This is a massive compliment for this youngster who seems to be an insurmountable talent. The Harmonium plays mildly and then the gentle melody plays on the acoustic guitar thanks to Blesson Naik. Satyajeet programs the electric guitars, keys, bass and synths and the sound design and arrangements seem flawlessly beautiful. He wins your heart over with the delicate vocals. The interplay between the Harmonium, guitars, bass and Tabla is pure divinity. Could there be some Raag Bihag in the melody? or maybe some Raag Bilwal?The Tabla is played like a gentle heartbeat by Subhasish Satpathy. The interlude gives you a pop flavour and that sounds refreshing against the Sufi-esque verse.  The Tabla arrangements are done by Utkarsh Wankhede, the recording engineer is Puspak Sen Giri and Satyajeet is the mix/master engineer. The Sitar solo is another fine addition in the interlude and one must congratulate on Satyajeet's vision. I am reminded of gems like "Hoshwalon ko khabar Kya" when I hear Satyajeet perform the verse. The line " us se rishta mera kuch is tarah" is beautifully penned from a chord progression perspective and I would be remiss if I failed to put this song at the very top of Indian songs. Satyajeet has brought the perfect end to this fabulous year of music for me. @satyajeetjena_official @imrityunjay @satpathy_subhashish 2. Atom BombLyrics: KavirajVocals: Vijay Prakash and Vaish KannanComposed, Produced & Arranged by: Charanraj M RProgrammed by: Charanraj M RLanguage: KannadaGenre: Light MusicWe end the year with a solid romantic single from the master Charan Raj. He had an outstanding 2023 as a composer/producer and I hope 2025 is going to be another year of hearing more magic from him. The violins in the intro make me ponder about the similarities with "Horatta" from the amazing album 'Saptasagardache Ello Side A'. Narayan Sharma and Charanraj handle all the string and woodwind arrangements. The strings are played by Cochin Strings.Vijay Prakash is having a ball as a male vocalist singing with a swag. Viash Kannan complements him well as the female lead vocalist. The percussions and all rhythm arrangements make it a very catchy song, so kudos to Charan who does all the arrangements, programming and music production. As we listen to the melodious chorus segment "Atom Bom, Nee Nannu Atom Bomb", the strings delight us in the background. Sunil Sylvester is the guitarist and Venkatesh G Bhat is on bass. The interlude is where Charan is driving the song forward and upward, and Violin melody is a thing of beauty here. The stanza brings in a smile with the way Charan writes the melody, and the lead singers deliver it with a dash of romance. The lyrics are penned by Kaviraj. Pay attention to the strings and woodwinds in the background as Vijay sings " Vishwamitra naane, neenu Menaka", and I am taken back to the days of Maestro Ilaiyaraja. The playfulness in Vaish's singing as she performs the line "dumtaka dumtaka" brings cheerfulness to the listener. The recording engineers are Vishnuraj MR, Aniket Mohanty, Arjun and Ashwin Prabhath. Sujith Sreedhar is the mixing and mastering engineer.  @charanraj27185 @vijayprakashvp @vaish_offl @narayan_sharma227 @venkateshmusic_ @sujithsreedhar3. IsabellaComposed, Arranged & Programmed by: Lydian NadhaswaramLyricist: Vinayak Sasikumar

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 22nd December 20241. Ishq HaiSingers - Anurag Saikia, Romy, Amarabha Banerjee, Varun Jain, Madhubanti BagchiComposed & Produced By Anurag Saikia, Oblong SioniWritten By Raj ShekharLanguage: HindiGenre: Folk-RockMood: RomanticThis fabulous song comes from the album Mismatched Season 3 on Netflix. The reviews could be mixed, but the songs definitely stand out. I have done a full album review on my IG page, and this song by Anurag Saikia is undeniably the best in it. The melody starts off to charm and as we progress it gets even better, with some of the best notes coming in the verse. Anurag has written the melody and co-produced it with Oblong Sioni. We have a galaxy of singers adorning this track and this healthy union is delightful with Varun Jain, Amarabha Banerjee, Madhubanti Bagchi and Romy delivering their best. Kiran Vinkar plays the flute all along and Ralph Menezes is brilliant on bass, and the tabla engaging is and gives this folk-pop fusion more meaning. The combined vocals of Gauranga Shekhar, Ankur Jyoti, Keshab Baruah, Shrikant Krishna and PratikhyaaSarma singing "Ishq Hai yeh Ishq hai" will make even the stone-hearted fall in love. Madhubanti and Romy elevate the song with their astounding tones and unique thrusts. The verse feels cathartic when Madhubanti sings and this segment feels like Yamunakalyani in Carnatic, reminding me of AR Rahman's 'Varaha Nadikkarai oram". Anurag doesn't settle for less as he builds on a solid base of a melody and makes this song reach for the skies with such splendid notes like "pairon ke neeche se zameen udd rahi hai" and here I was sold and rendered speechless. Thank you Anurag Saikia for being true, and dedicated to the art!I recommend that you play this song right away and believe in the existence of love, music and goodness. Pankaj Borah has mixed and mastered the tracks at Neo Sound and Pranjal and Rupjit are the recording engineers at Playhead Studio. Raj Shekhar is the lyricist@anuraag_psychaea @rajshekharis @bagchi_mb @mainhoonromy @amarabha_banerjee @varun_wave @believemusicindia @believeasd @netflix_in @gauranga_shekhar_ph @ankur_j10 @keshavbaruah82 @ishandas_666 @pankajborahb @kiranvinkarflute @pratikhyaa_music @shrikantkrishna9 @sunnyhaz_music2. Noolilla KarakkamMusic Composed, Arranged and Produced: Christy JobyVocals: Sreenath BhasiLyrics: Vinayak SasikumarLanguage: MalayalamGenre: Jazz-PopMood: InspiringTalk about a breathtaking intro, well, that is what you get with the Trumpets, flugelhorns, and Trombones played by Alessandro and Michele Fortunato. There is a feeling of being present in Madrid or Barcelona on the streets thanks to these terrific Brass and Nikhil Ram comes on and brightens your mood with the Flute solo. Christy Joby deserves massive credit for the composition, arrangements and production. Actor Sreenath Bhasi shows off his singing skills in the Anthony Dasan vibe. Anurag Rajeev Nayan plays the acoustic guitars, and his presence throughout keeps the song feeling light and groovy. The melody and tone remind me of AR Rahmans 'Kickku Yerudhe' from 'Padayappa'. When the line "Boothathan maaro, paavathan maaro" plays I observe two fantastic things viz. Sreenath's ability to sing in the lower vocal registers and the string quartet playing mildly thanks to Albin Jose. The rhythms get you into an upbeat mood and with the simultaneous layers of the Flute, Ocarina and Synths is a treat. Allan handles all the additional Piano and brass arrangements, with Keshav Vinod working on the additional chord arrangements. The haunting sound of the Ocarina by Nikhil Ram can be heard during the stanza when Sreenath sings "Nenjil, Murivu kondoru sheelam". This whole team has to be given a standing ovation for creating such a brilliant record that has so many outstanding layers. The chorus in the stanza and outro is performed by Lal Krishna, Christy Joby and also arranged by them. This could easily be one of the top Malayalam songs of 2024 for me. The tracks are mixed and mastered with great efficacy by Abin Paul. The recording engineers are Lal Krishna at Atlegato Records, Kochi, and Billian at Unity Studios, Calicut. @_christyjoby @hridhuharoon @surajvenjaramoodu @riyashibu__ @vinayaksasikumar @thinkmusicmalayalam @musthafa__actor @anna.raphy @anujith_18 @hrpictures__ @jobin__das @murathemovie @allanfromtheotherside @nikhilramtp @napier_naveen @punnya.pradeep @lal_music @ujwal_ks @finnykurian @keshavvinodofficial @albinjose.in @sreenathbhasi @anuragrajeevnayan 

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 8th December 20241. MirageVocals, composition : Anjana PadmanabhanLyrics: Vicky HajeriMusic arrangements: Siddhesh Srivastava Language: HindiGenre: Classical-fusionMood: RelaxingI am listening to Anjana Padmanabhan and thanks to a Spotify Playlist called "TuneCore: New Music Friday India", I came across this song. Hrishikesh Majumdar plays the flute solo in the intro and we get a glimpse of this classical fusion track within seconds. Here to give a Western touch are Siddhesh Srivastava on keys, Samarth Talia on bass, Harshil Gandhi on drums and Anjana's fantastic aalaps and ghamakas take us deeper into Raag Jog. This is a melody written by Anjana and all the instrumental arrangments by Siddhesh make this one festive treat.The swaras that Anjana delivers with break-neck speed, and the flute playing the same notes in the background is a highlight reel. The song deviates into another trajectory and probably moves away from Raag Jog when Anjana sings " Kaise Karoon". Manav Lakhani can be heard singing in the background as an additional vocalist. Kudos to Hrishkiesh who plays that breathtaking solo on the flute in the interlude and here we get the classical percussions like the Mridangam and Ghatam played by Ganesh Murli Iyer. This is a masterclass in singing, especially for youngsters looking for inspiration and wanting to perform as a classical vocalist, Anjana is immaculate. The outro with the Keys, flute, heavy drums, swaras and aalaap is a magical end to this inspiring track. The mixing and mastering is done by Prateek Kelkar. @anjanapadmanabhanofficial @ganeshmuraliiyer @samrthtalia @harshil.gandhi_music @siddhesh_62 @majumdar_hrishikesh2. DilshadVocals, Lyrics, Composition: Yawar AbdalMusic Producer: Akash GuptaAdditional Keys Production: Laksh SharmaLanguage: KashmiriGenre: Folk-PopMood: PathosYawar Abdal is a fine artist and I am fond of his Kashmiri indie work, his vocals being the Unique Selling Point. The Accordion and then his touching humming already have transported me into a good place. The Kashmiri lyrics are resonant with Paradise and they sound like a mom's lullaby when Yawar sings along with the gentle acoustic guitars in the background. Indrajeeth Handque plays all the guitars and bass and the stunning music production is by Akash Gupta.The female vocals now add fuel to the fire and when the lead vocalists perform together I am in tears, because of the fabulous notes written here. The strings section adds to the mild pathos and Akash is behind the synths, strings and horns programming. Indrajeeth stokes our deep emotions with his electric guitar solo in the interlude and Akash Gupta delivers a sensational performance on arrangements and production. Laksh Sharma handles all the additional key production with Akash on drums and percussion. This song will stay in my thoughts for a long time and although I don't understand a single word, the language of music does enough.  The tracks are mixed and mastered by Laksh Sharma with vocals recorded at Crukces. Taha Firdous Shah does the translations.@yawarabdal @akashdrums @indrajeeth_handque @lok__fi @crukces @tahafirdousshah3. Dil Ye UdaMusic composition and Vocals: Shayok BanerjeeLyrics: Anyaman MajumdarMusic Production/Arrangement: Pankaj 'Pikon' PaulLanguage: HindiGenre: Light MusicMood: Pathos

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 1st December 20241. KhaamakhaMusic Composer: Siddharth PanditLyrics: Alok Ranjan SrivastavaSinger: Nikhita GandhiMusic Arranged & Produced by: Siddharth PanditLanguage: HindiGenre: PopMood: RomanticHe is one of the top 3 musicians for me in 2024! Siddharth Pandit take a bow! After a mindblowing album "Azaad Sangeet Season 3" ( I rated it 4.75/5). Now he has a single in the new web series "Bandish Bandits 2", and isn't it just another display of brilliance? Siddharth prides himself on writing beautiful melodies and impressive arrangements, especially when it comes to vocal harmonies. He is the composer, arranger and producer in terrific form, I salute you brother! The Piano plays gently and one of our finest Pop vocalists, Nikhita Gandhi slays it here as the lead. Aastha Mehta is the backing vocalist singing the title "Khaamakha" with such poise and vibrancy. Siddharth's partner in crime Alok Ranjan Srivastava writes words of passion and agony and when it is delivered with Nikihita's tone, the message hits you sharp and deep. The keyboard programming is terrific and gives such an enjoyable Pop single. The best segment is when Nikhita sings the chorus segment in the high pitch, and I feel like my soul just got wings to fly. The chord progression is just ahead of the curve and If you think you can predict what is about to come next, think again! Siddharth bamboozles you every step and every note of the way. He is also the mixing and mastering engineer. The music supervisor is Akashdeep Sengupta.@panditjeee @nikhitagandhiofficial @hashtag.jazbaat @akashdeep.sengupta @musical_swaroop @aastha.mehta2. Ghar Aa MaahiComposer - Ana RehmanLyrics - Shubham ShiruleSingers - Nikhita Gandhi, digVMusic Supervisor - Akashdeep SenguptaMusic Arranged and produced by - Gibson George Language: HindiGenre: Pop fusion Mood: EnergeticWe have the second installation of "Bandish Bandits" and the various musicians involved here inspire young talents that if they work with hard work, commitment and consistency, great opportunities will come knocking. Dilshad Khan's Sarangi intro sets the stage for a semi-classical fusion track and digV strikes you hard with his tantalising voice. His ability to enthral the listener combines beautifully with the strength in the technical aspects of his singing. Ana Rehman shines with this composition and her innate talent is obvious to anyone who has been tracking indie music.Shubham Shirule pens the lyrics and the dynamic Gibson George does the arrangements and produces the song. The fantastic sound design, and the interplay of all live instrumentals and programming, is all thanks to Gibson, and at the helm is Akashdeep Sengupta as the music supervisor. The synths and keys have a huge impact on what we hear, and when we get the energetic drums and digV's swaras, the fusion of two varied musical styles is eclectic. A great pick of lead vocalists, and if digV is authentic and classical, Nikhita Gandhi is westernised, confident and stylish in her delivery. That is what the web series is all about, isn't it?We have some talented live instrumentalists glorifying the song even more like Veljon Noronha on guitars and Shubham Shirule on the flute. After Nikhita's electronic pop lines, we get a classical segment on the Tabla by Ishteyak Khan, Bass Tabla by Chinmay Deore and flute by Shubham. The shift between Western pop and Indian classical music is swift and breathtaking. Shubham, Ana, and Ishteyak are the backing vocalists. digV's aalap feels magical and Nikhita's improvisation "Waiting for you" is a battle of wits. There are traces of Raag Bhimpalasi that I hear in the melody. The tracks are mixed and mastered by Pranav Gupta and the sound engineers are Palak Mohan and Aniruddh Anantha. @digvijaysinghpariyarofficial @nikhitagandhiofficial @shubhamshirule @ana_rehman @akashdeep.sengupta @callme_uzumaki @samindha.wangoo @juhii.g @shreya__chaudhry @chinmaydeoreofficial @ishteyakkhanofficial @veljon6noronha @gibsonbha @aniruddhanantha @palakmohanmusic 3. Hold on 

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 10th November 20241. TeardropsVocals, Lyrics, Composition: Ananya SharmaProduced by: Ananya Sharma & Jorge I VazquezLanguage: EnglishGenre: PopMood: RelaxingBefore I start reviewing this song, I would like to mention here that, this is the 3rd song from Ananya's new album 'A Junkyard Wonder' that I am featuring in these weekly written reviews. This happens rarely, so Ananya Sharma deserves a huge round of applause. 'Teardrops' is a fabulous single that brings together some amazing live instrumentalists from around the globe. Ananya writes the lyrics, and the melody and performs the lead and backing vocals in this song. Aidat Witvoet plays the gentle piano and the layers of vocals come like an entourage you cannot miss or ignore. These are praiseworthy arrangements already and kudos to Ananya and Jorge I Vazquez for producing this song with such niceties. Ananya once again excels as a songwriter here with such clear and creative word choices to convey a message. Listen to this line " A sense of forgiveness starts to unleash like a blooming of a rose", with backing vocal harmonies enhancing the last phrase. This could just be me, but when this line comes and ends, I feel like a glimpse of Seal's "Kiss from a Rose" maybe because of the gentle and similar melody and the accompanying backing vocal arrangements. The string section arrangements in the background also could be another reason for that similarity. We have Jorge and Angela Moya Serrat playing the solo violins and the emphatic drums by Anthony Lafond. The string section arrangements are done by the Maestro Albert Palau. The eyes close automatically to enjoy the song when you hear the beautiful melody, vocals and arrangements and the irony is that Ananya just then sings " Your eyes start to open suddenly". The drum arrangements and the Pianos alternate between playing things with tenderness and aggression. This keeps the audience guessing and never for a second do we take the song's chord projection and tone for granted. The bridge section is filled with such goodness but it explodes onto the scene, with lyrics " Weak, you feel the blame, Palms cold and eyes wet, Every second of craving, Happiness and a light head" with some scintillating drums, electric bass by Samuel Keri and absorbing Pianos. The Oud which we hear very mildly is played by Nikos Siderakis and the Marimba is by Robed Fenelus. She ends the song with a much-needed message " You are your own bliss" with the reverberating drums by Anthony. The programming is done by Ananya and all the mixing and mastering are done by Ananya and Jorge with mix assistance from Ishaan Jagyasi, Arina Korenyu, Tanishq Seth, Lars Gardner and Jackie Walter.     @ananyas.music @jorgei.vazquez @nic.hard @ishaan.jagyasi @anthony__lafond @samuelkeri.music @nikos.siderakis @angi_moya @albert_palau1 @jackiewaltermusic @ar_korenyu2. Baat Itni SiComposer: Shekhar Ravjiani Singers:  Pratibha Singh Baghel, Madhubanti BagchiLyrics: Priya SaraiyaArranged by: Shri Deepak PanditLanguage: HindiGenre: Tumri-fusion/GhazalMood: RelaxingI don't remember the last time Shekhar Ravijani composed a Tumri-based melody, but it works like magic. Two ace performers Pratibha Singh Baghel and Madhubanti Bagchi take up the task of lead vocals and we are captivated all the way. The outstanding composer/producer Deepak Pandit handles the arrangements and carves a great jewel from this precious stone. Bhagirath Bhatt plays the Sitar solo with a divine touch and accompanying him is Aklakh Hussain on the Harmonium. Within seconds I am immersed in the melody as Pratibha and Madhubanti battle it out with their abilities and delivery. Sanjoy Das is stunning as the bassist providing the cool western funk all along and Dilshad Khan pitches in with the Sarangi to elevate the pathos from time to time. The rhythm master is Prashant Sonagra on the Tabla and we are entertained with some fabulous interludes and arrangements. The Sitar and Harmonium playing the beautiful melody in the interlude in unison is graceful to hear. The melody has Raag Pilu (Kaapi in Carnatic) influences in my opinion, and Priya Saraiya writes the tantalising words. I hope to hear more from Shekhar in this genre in the coming days. The lyrics are quite interesting with lines like "Maine Gulzar ke gaano se woh chaand churaya". The tracks are mixed by Kuppaiyandi Sethuraman. The song keeps playing on my mind much later after the outro.@shekharravijani @priyasaraiyaofficial @bagchi_mb @iampratibhasingh @deepakpandit_31 @sanjoygtr @dilshhadkhan @bhagirath.bhatt @prashantsonagra @akhlakhhussainvarsi @kuppaiyandisethuraman @sanket.s.tole @kirti_narain @prabhat66 @garuudaamusiic 3. Kasturi

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 10th November 20241. HereVocals, Composition: Ananya SharmaLyrics: Jane Tyson ClementProducer, Recording Engineer, Music Arranger: Ananya SharmaProducer, Co-producer, Recording Engineer: Jorge I. VázquezLanguage: EnglishGenre: PopMood: InspirationalThis is the second consecutive week that Ananya Sharma has been featured here on my weekly list. Ananya composes a stunning melody bolstered by her impeccable vocals and shape-shifting into a magnificent song thanks to the arrangements and musical production. I stand and salute you Ananya for the effort, vision and ultimate output because we live in a world where the easy route to success is filled with mediocrity, yet she chooses to take a path of inspirational songwriting. Jane Tyson Clement writes the lyrics, and Ananya writes the melody and performs the lead vocals. The song is co-produced by Jorge I. Vázquez and Ananya. We can hear the Harp by Rachel Groves mild and mellifluous. Slowly but steadily like a rain that gains its intensity from drizzle to showers, we hear the Violin by Djessy Van Den Dries. It soaks you in misery like the violin is supposed to bringing in the pathos and when we hear Ananya in lead and backing vocals "I stand Here, I stand Here" we feel the body tremble, not with fear but with all the gusto and determination of a person against inclement externalities. The singing and violin solo rise in pitch like a growing spirit and the double bass provides that support like a rock, for the song to stand, thanks to Mathew Baker. The second verse feels even more impactful and Djessy's violin teases you this time around with the playful plucks and kudos to Ananya and Jorge for the astonishing arrangements and production. Daniel Quesada is on percussion and the tracks are mixed by Nicolas Hard. The recording engineer is Tanishq Seth, Ishaan Jagyasi is the mastering engineer. The outro is where Ananya breaks free from her clutches and sings with her heart out, singing " One Wild Song". @ananyas.music @jorgei.vazquez @nic.hard @ishaan.jagyasi @rachel.harpist @djessyswan.music @mattbakerbaryton @dquesada.composer @tanizhqseth_ 2. BeHaya Humre Saiyaan Bedard?Singer & Music: Sanah MoiduttyLyricist: Mahendra Dhirajlal KamdarMusic Production and Arrangement: Prasanna SureshLanguage: HindiGenre: Semi-classical fusionMood: RelaxingSanah Moidutty is getting her game phase on, with an exploration into Hindi indie space in 2024 as a vocalist (check out amazing singles like 'Piya Mere' and 'Ghanan') and now she has composed the melody too. Lalait Talluri lures you with his flute solo in the prelude, and it immediately feels like a cool breeze touching your face and something you have longed for. Shomu Seal accompanies on the rhythm guitars and Sanah joins in and bamboozles you with her stunning voice. The Tabla by Hanif Khan is quick to make an impact and my favourite line is the antara that goes "ka kare ham be-inktiyari dil ki" with some tough landing notes sealed beautifully by Sanah. The melody feels like a whiff of Raag Bilawal to me. Prasanna Suresh who has collaborated with Sanah before, is in charge of the wonderful arrangements and production, so his contribution is much appreciated. The catchy interlude with Lalit playing a beautifully written melody with the chirpy Tabla is worth your time and you can play just this segment multiple times on loop. The sanchari (charanam/stanza) is another excellently written piece, and Sanah is just showing she is an able composer here. The whole team must be congratulated for creating some magic here. The lyrics are penned by Mahendra Dhirajlal Kamdar.The notes, lyrics and vocals are endearing and oozing of richness when she sings " voh lagaaye chathiyan hum ko papi, ghar ke manva nain sauthan saali". Sanah does one better than my expectations with that brilliant bridge section "daga baaz jalaye hamaar jiyarava" with the fantastic accompaniment of the Harmonium, giving an ARRahman-esque Sufi flavour. The tracks are mixed and mastered by Abin Paul and the sound engineers are Pranjal Bora at Neo Sound Studio and Harmony Studios. The people who founded this music label Jukoz Music Pvt Ltd are Mahendra, Dhwanee, Archana and Bhupesh. @sanah_moidutty @mahendradkamdar @jukoxmusic @officialprasannasuresh @shomu_seal @hanifkhan5936 @@lalittalluri @mixwithabin @hanifkhan5936 @archana.kamdar.31 @dhwaneekamdar @bhupeshkamdar 3. MayaviSinger: Sonu Nigam, Sanjith Hegde

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 3rd November 20241. Mere Ho TumComposed & Sung by - Raghav KaushikWritten by - Raghav Kaushik, Alok Ranjan SrivastavaOrchestration & Music Production by - Sparsh AgrawalLanguage: HindiGenre: PopMood: RomanticThe morning time is precious for me, as this is when I listen to music, read, exercise, run and do household chores. All these are meditative processes and hence I value them immensely. One such morning, during a jog, I listened to my playlist of new music and this song made its way. The Accordion and the Piano give us a formal invitation into the song and it felt like a sip of coffee to wake me up from my slumber and lethargy. Raghav's Kaushik is that dash of sugar that spikes me into full-on activity and cerebral alertness. This guy is a treasure with his unmistakable singing voice and his ability to write melodies and lyrics of the highest standard.Veljon Noronha plays the acoustic guitar and one of my favourite producers Sparsh Agrawal induces class with his arrangements, orchestration and production. When we get to the pre-chorus segment with the line "khone laga dil khwaabon mein tere, the magnificent string arrangements create wonderment. Raghav Kaushik writes the melody and performs the lead vocals. The orchestration is a work of splendour and I stand in ovation to Sparsh, as he piles upon so many layers in the background. This very European texture is thanks to the elaborate orchestration and the Accordion. The melody is quite beautiful when Raghav writes the lines " roz naye raah chalein", it shows what a fine composer this guy is. Never forget the role of Alok Ranjan Shrivastava for co-writing these amazing lines along with Raghav. The tracks are mixed and mastered by Abhishek Ghatak with Samir Dharap is the recording engineer at Studio 504@raghav__kaushik @veljon6noronha @theghatak @hashtag.jazbaat @sprshagrawal @photoframiac @jdominic96 @harshtokas @tandonyogi @raghavmeattle @firstwav @samirdharap9 2. NayadikalMusic composed, Produced by Santhosh NarayananVocals: Santhosh Narayanan & Arjun sasiRap Verses : Arjun SasiMalayalam Lyrics - Anwar AliLanguage: MalayalamGenre: Rock/MetalMood: EnergeticHe is unstoppable and across India, this has been the case in 2024. Santhosh Narayanan is making music of the highest quality and when that is being recognised in many parts of the country, it gives me great hope, rather than when someone makes music for the sake of Instagram reels. Here is Santhosh performing the lead vocals and I now believe the raw and cracked tone of his works well in metal too just like it fits the folk and gaana/kuthu genre of TN. Anwar Ali penned the Malayalam lyrics, while Arjun Sasi wrote and performed the energetic English rap lines. Telfie is in supreme form with his electric guitars in the prelude. The energy is impeccable and with Aditya Ravindran as the bassist and Siddharth Nagarajan on drums, we feel shock and awe right through. The chorus segment gets Santhosh in the high pitch mode and one cannot help but bang their heads to this metal show. We have heard of the mouth trumpet but the mouth-guitars here are catchy and the melody written for this bit will keep ringing in my ears long and hard. Aditya comes and performs as the backing vocalist.If you thought this was it, think again. Arjun Sasi makes his entry with a smashing and fast-paced rap show that reminds us of crazy American metal bands like Limp Bizkit. Siddharth is busy with drums making his presence felt all the way. Wait for the grunt and the bridge rap section as Arjun says " Gotta load my gun, you better run". Take a bow, Santhosh for the composition, arrangements, production and vocals. Key Royson does the exhilarating video for this song. @musicsanthosh @arjunsasiofficial @directedbykenroyson @drumssiddharth @adityaravindran95 @simeontelfer @anvarali113 3. EcstasyComposer - K J Diliip

If you are a musician submit your new music here.Here are the best songs released in India across languages and genres for the week ending 27th October 20241. Re MannSingers: Shreya Ghoshal & Swanand KirkireComposed & Lyrics by: Swanand KirkireProduced by Kanishk SethCreative Producer: Ankur TewariLanguage: HindiGenre: Light MusicMood: HappyFinally, we get a terrific song under the 'Coke Studio Bharat' series without any gimmicks or excesses. Swanand Kirkire has been in supreme form of late giving us some wonderful music in the indie space and that form continues. Like always Ankur Tewari is the creative brains and producer behind the curation of this project. The melody and lyrics are written by Swanand and he also performs the lead vocals along with Shreya Ghoshal. There are elements of Raag Yaman and maybe some Bihag, if I'm not wrong. Shrey Gupta plays the acoustic guitar and accompanying him is the brilliant Bhushan Chitnis on acoustic and electric guitar as well. The verse gets repeated with the soothing voice of Shreya and we have backing vocalists Devashri Manohar, Pearl Alex, Chinmay Pandit, Shaashwat Pande, Kiara Alemao, Joel Padikkal and Joel Mathew giving some a caressing feeling with the excellently arranged harmonies. Kanishk Seth is the master at work and shows his finesse in arrangements and production. Sabyasachi Deb is playing the Double Bass. The interlude has the inventive instrument stringed Noori, played by its inventor Kavish Seth, giving us textures of a morose Sarod as well. The second verse has Shreya conquering our hearts and delivering the sweet melody with such warmth and splendour. Sanket Pahurkar plays the Jazz Drums and the drum sampler as well giving us some energetic rhythms, like a horse sauntering. The arrangements especially on harmonies are outstanding when we get to the lines " ke palkon ki do khikiyaan tu haule band kar le". The song can elevate our spirits from deep distress to pure bliss. Kudos to the entire team. The tracks are mixed and mastered by Prathamesh Dudhane at Bombay Live Studios with the Think Tank Team being Kausar Munir, KJ Singh and Swanand Kirkire. KJ Singh is the sound and technical supervisor. @seth_kanishk @shreyaghoshal @swanandkirkire @devashrimanohar @kiara_alemao @kavishseth_ @pearlalexsays @shaashwatpande @ankurtewari @sabyasachideb @sanket_pahurkar @bhushan_bhu_chitnis @chinmaypandit.music @cokestudiobharat @universalmusicindia @shrelebrity @prathmeshdudhane @kjpahji @kausarmunir2. Just Like YouWritten & Composed by AnoushkaProduced by Fardeen Siddiqui, Shivam Trivedi, and AnoushkaLanguage: EnglishGenre: Alt-PopMood: EnergeticIn 2023, when I featured the best English indie songs of the year Anoushka had two of her original numbers in the top 20 songs of the year. I have been waiting ever since for her next release and this one is a solid sequel of sorts. Thank you, Anoushka for being so consistent and focused on quality and this song " Just Like You" too will be one of the best Indian Indie songs of 2024. The melody are lyrics are written Anoushka with the fabulous production done as a collaborative effort between Fardeen Siddiqui, Shivam Trivedi and Anoushka. Get your rock phase on and be prepared for some headbanging. Karun Kannampilly plays the drums with rising intensity and Fardeen is making your face melt with the electric guitar riffs. I am finding it hard to write this review, without being able to control my head and feet. Anoushka is undoubtedly one of India's finest vocalists and she proves it every note of the way. The high notes, and the vibrato, are all performed with a slick style. The constant presence of vocal harmonies in the background does give off a Gospel vibe too. That is precisely when I was reminded of the global super hit of 1991 called "Baby, Baby" by Amy Grant. The arrangements are a notch above the rest we have heard all this week and kudos to the trio of Fardee, Anoushka and Shivam for the scintillating production. I felt some smooth horns section too in the background. The way Anoushka extends the "you..you.." is mesmerising. My favorite segment was the bridge where Anoushka sizzles singing " Dont come for me, You best believe" with the backing vocals performing the word "yeah" at the end of every line with some anthemic spirit. The outro with harmonies, horns, electric guitars and drums keeps me wanting much more. I don't know why so many young musicians won't want to be "Just Like you". The recording engineers are Hersh Desai and Aria Nanji at Island City Studios, Mumbai with Hersh on mixing and mastering. @anoushka_sivasankar @_fardeens @shivamtrivedii @karunk @hersh.desai.9 @yashrenukdas @ariananji @studioislandcity @riddhi_sonetta3. Bawla