Top Indian Songs of the week - 17th Apr 2022

This is the week's best music from across the nation. Music from every state written in every language, composed as a part of Movies and by Indie artists is listened to and after analyzing more than 350 tracks released in the week ending 17th April 2022, I have rated and reviewed the 17 absolute best tracks in the country. This is truly India's ONLY multilingual music review and music curation page. Week after week, without any breaks you will get the review and links to the best work from musicians all over the country.

1. Reppe Vese Loga It has been a while since Tollywood music really cranked up things a notch, and finally just as I was getting worried, this smashing number came about. Harika Narayan sings like Tina Turner in Golden Eye OST and her vocals are rousing like an Opera performer. The strings are another highlight in the track and Mark K Robin composes and arranges this humdinger. He also plays the rhythms and guitars in the track. Chennai Strings Orchestra blows you away in the interludes with B Yensone conducting it. The orchestration which deserves massive applause is by Antony Karuna and he also mixes for the track. The strings remind me of an Ilaiyaraja song, that is how magnificent the score is. Harika continues to sing and captivate further in the stanza, despite all our attention on the multitude of instruments. The bass guitars mildly accompany and they are played by Naveen Napier. In the far end, you can also hear that solo violin, making you wonder if this is Britney Spears’ “Toxic�. Sai Shravanam does the Stem mixing and mastering and Harika sings Krishna Kanth’s words. This is one wholesome number and anyone who loves an experience of a symphony of live instruments will fall for this track.

2. Isolated There was a time, maybe a few years ago I used to wonder who Papon is! I was raised in the south and to many like me, Ilaiyaraja was the only musician worth even talking about and so singers like Papon were unknown to me. The reason I entered the field of music reviews was to stop being the frog in the well, and then decide on the best in music. After 3 years now I can say with certainty that there is no one like Ilaiyaraja around, but Papon is a fabulous singer and since 2020 I have also enjoyed his compositions and featured many. This is one more of those splendid vocal performances but a lot of the credit must go to Arnab Bashistha who has produced and composed the music. The way the song carries that attitude and coolness of a modern sound, yet when the lines are sung it transforms into a classical rendition. That piece of Sitar introduced in the interlude is so sudden and sounds magical, with Subhankar Hazarika playing. It follows a soft and pop-like harmony and that is why it amuses me even more. The influences seem very much like Raag Bilaval, but upon speaking with the composer I get that it is based on Raag Khamaj and Raag Desh and the Sitar is aided by string arrangements in the background. Kaysee is the female vocalist in the song. The interlude doesn’t stop here, as there is one more moment of magic with Ustad Murad Ali Khan on the Sarangi. The casual yet very committed way of delivering the lines is why Papon shines. The guitars are played by Ishanu and he also produces the track with Arnab. Pankaj Borah does the mix and master and the sound engineers are Pinku Das, Rajbir Singh, with sound design by Debajit Gayan and assisted by Sulagna Handique. The way the Saramgi continues all along in the stanza and in the outro feels like an angel reaching out from a distance. Hiranjit and Anshuman are the lyricists.

3. Holding on to the hope It feels like good old American country music as Rohan Mazumdar sings with his confident vocals and excellent diction. He also plays strongly charming acoustic guitars. Aditya Ashok on drums has complete control of the tempo of the song and it moves and shifts beautifully from slow to catchy. Aditya also joins Bradley Tellis on vocals with Bradley playing the electric guitar. You can hear those minor yet mindful interventions on the electric guitar. It feels amazing to listen to the singing when Rohan sings “Maybe we could get there� and you really want to feel the hope that the band is expressing through the words, vocals guitars and drums. The faster tempo is symbolic of a scenario of rising hope I guess and Adil Kurwa supports adequately on bass guitars. The Colour Compound as the band is called clearly has heightened expectations for me.

4. Intezaar It has been a long wait or Intezaar for Indie music fans to listen to that man Lucky Ali again. In the 1990s when Bollywood music was sticking to a set formula, musicians like Lucky explored out of the box and gave us fresh resplendent music. It is only fair that legends like him get a shot at the indie scene now, and last year I featured his collaboration with Israeli composer Botzer for a song called “Amaraya�. Here we have Lucky and his old time associate Mikey Mcleary giving us a taste of novelty and breaking away from the monotony. This Chennai born NZ musician has been around making waves in Bollywood movies and commercial jingles. Unlike Amaraya which had a mesmerizing and serious tone, Intezaar is like joi-de-vivre. The acoustic and bass guitars are bursting with energy, but I also particularly loved the resonator guitar which has its unique sound in the mix of things. IP Singh and Lucky write, while Mikey produces and composes the track along with Lucky. It is straightforward but the humming bits and the introduction of the Trumpets and vocal harmonies along with a shift in scale do enough magic to keep your attention hooked. It is shocking to hear Lucky sound exactly the way he did and he hasn’t dropped from his A game in the last 30 years.

5. Kahi Katai Songs about the mental state and how humans understand and treat those with mental fatigue and depression are thankfully coming in plenty these days. Apurva Tamang has written, composed and performed this lullaby and I don’t follow a word of what is sung in Nepali here, but I’m in 7th heaven. The title line sung in a slightly higher scale with bass and acoustic guitar sounds galore elevate the sentiment and purpose of the track. This song has a fairly elaborate stanza that keeps you wondering where the trajectory of the scales and notes would lead to. This Darjeeling born musician never lets your interest or mood shift away and when he ends the song, his vocals are soothing like a good hot cup of Darjeeling Tea itself. The songs tone and background flourish feel like “Puthu Mazhaiyai� sung by Shreya Ghoshal and composed by Gopi Sunder. The track is recorded, mixed and mastered by Chandan Tamang, and the video is shot and edited by Aahan Mewang Rai. Aadarshika Hangma is cast in the video

6. Chaand Tare 5 of the 6 musicians in this weeks top 6 are new to my page and list and that makes me feel confident about the abundance of talent and my method and mode of song listening and reviewing. Razik Mujawar impressed me within seconds when I hear this track and it does feel like viewing a starry night on top of that when Razik performs we get a full moon to go along with it. This is the 3rd single in his upcoming EP called ’24’ as Razik writes, sings and composes the splendid tune. Ashish Bajpai showcases his abilities with his musical production and he also does the tedious job of mixing and mastering along with it. Strings start things off but soon we hear a pluck and Razik’s ravishing vocals. The array of sounds from the strings section in the background as Razik sings “Janoon itna Main, hua hai pehli dafa, fills your heart with joy and enchantment. The introduction of the Tabla following this line is unexpected and pleasant. The production tends further to a classical style as the Harmonium is played in the interlude. The arrangements of instruments and vocal harmonies both are quite exquisite and well-timed. The song is co-written by Zorawar Sangha, and the guitars are played by Razik himself.

7. 259 This is a one-man show, as Akash Chopra writes, composes, plays the guitar and performs this manic beauty. The man's voice is like an addictive substance/habit you just can’t stay away from. He sings it all in the lower scales and executes every note with utter mastery. He also does a fine job in the arrangements and programming as we hear a strings section in the background along with Keys all acting as eye-catching garnish. A few months ago I had shared my feedback about his strong vocals, and I am glad I got an opportunity to feature and showcase this number to the world.

8. Muklawa When people over-simplify Punjabi music into something that is redundant and lacking creativity, they are entirely right. Here every week the effort is to pick some of the best of Indian music leaving aside any biases and preconceived notions, and when music like this comes through, I hope listeners can break away from their misconceptions as well. This EP "Ve Geetan Waleya" has a few good numbers but "Muklawa" was my favourite. The Keys are just fabulous, and it is just not that the rhythms are impressive Bir Singh uses elements of the strings and brass section that glorify the experience. You can hear even the upright bass and that is this is like no Punjabi Melody you will hear. Bir has written and composed the music with Gurmohh being the producer and Ranjit being the vocalist.

9. Ee Mazha Barkha We have heard him before sing and perform with noteworthy finesse for young composer and the likes of AR Rahman. It is however a new page when someone goes that extra mile to compose a song, and when I opened the song, I was nervous for Sreekanth Hariharan. Within seconds I felt an easing of pressure with his soothing voice and the tone of the song. Sreekanth and Srinath Nair compose and sing the number which has influences of Raag Kalyani (Carnatic). The Keys and the Konakkol merge well and when the humming also begins the beauty of the Raaga comes to the fore. Srinath Nair sings the Hindi lyrics and that feeling of a moist and flourishing rainy season is created in our imagination. The Malayalam lyrics are written by Sreekanth and he also arranges this initial portion, while Srintha arranges the Hindi portion of the song with lyrics by Avinash Sharma. Srinath impresses with his mild aalaps and it feels like listening to a Hindustani Classical piece in Raag Yaman. Sreekanth captivates you with the stanza like we have known him to do as he also produces the number. Balu Thankachan the expert engineer, mixes and masters the track with Avinash Satish, Sanjai Arakkal as recording engineers. Pavisankar works on the album art and Akash Nath does the lyric video. The outro portion with Sreekanth singing, and Srinath accompanying in the deeper layer in Hindi is memorable.

10. Aapki yaad Saacha Sahib was gold, and it just blew me away, and now the second single from his upcoming EP “Surmayi� is here with not an iota of disappointment from Kanishk Seth. So strangely the song reminds me of “Aapki Aankhon mein Kuch� and the first few notes and the first words of both songs are a 100% match. Maybe that is what I am tempted to say that there is some Raag Kedar influence. The words are from the original poetry by Faiz Ahmed Faiz and they simply go speechless. The song is about remembering your loved one, and when music and lyrics are this wonderful what else can once focus on? Kanishk is at his emotive best in his delivery as the vocalist and he also has produced and composed the tune. It is heartwarming to see a global union of musical talent like Luca Bordonaro on the Clarinet, Steven Stoffels on all Orchestral arrangements and Nicholas Phang as the recording engineer for the vocals. The interlude has apathos-laden solo on the Sarangi by Momin Khan and as it ends we have a brief intervention on the Clarinet leading into the antara, and it follows in the background layer with some excellent backup vocals. Some synth programming is heard as we approach the end, but the live instruments take the cake, who would have thought that the Clarinet and Sarangi would go hand in hand this well. Kanishk has mixed and mastered the track.

11. Saiyara Nikhil Dsouza is to my mind quite under-rated as a musician, as I feel he doesn’t get deserved recognition, following and praise. I have featured his song on at least 5 occasions and he never tends to disappoint me as a music listener. This one is composed and performed by Nikhil and truth be told, my expectations are sky high and so I always end up wanting more from the artist. Nathan Thomas produces this very soft number with Pinky Poonawala as the lyricist. Chinmay Harshe does the mix and master for the song. Thank God for his vocals which are not an imitation of some of the major Hindi Vocalists which has now become a regrettable trend. The pain and passion are both telegraphed effectively when Nikhil sings a love song, and it is dreamy how he lands the falsetto. The guitars and Piano intermittently touch on the emotions of love and gravity and Pink does write these wonderful words that touch a nerve. The use of backup vocals in multiple layers works amazingly.

12. Tum Tejas Gambhir is the front man of the Pune based rock band Amritaansh, and he composes the tunes for them. It is like he continues from where left things off in his previous hit single “Muskuraiye�. The vocals straightaway entice you and some clever harmonies aided by Keyboards makes this song a delightful listen. There is a clear attempt to compose a tune, which is just not mundane, with the line “Aisa lagta hai, mere zindag mein� which is a concatenation of notes you wouldn’t have expected. Tejas improvises vocally t many instances and they all comes off quite well. 13. Here I go I aim to go beyond the obvious geographical lines drawn between states, but sometimes it does feel nice that artists from your own backyard go on t achieve great things. I am a Chennai –bred guy, but when Sanjna Banik from Puducherry sings and composes like this, it brings a smile to my face that you cant wipe off that easy. Singer-songwriters these days are immensely mature and when you hear the words and the intention behind the song you are amused how at such a young age, artists like Sanjna want to talk about some intense philosophies of life. “Here I go� is meant to talk about the vicissitudes of life and how human beings should both stop feeling overtly attached and find a away to move on when plans perish. She writes, composes and performs this wonderful number but Mrityunjay Sathyanarayanan composes the portion on the Piano. Jerry Silvester Vincent plays the Piano and he hits things off from the very beginning. Sanjna carries the gravity of the songs message in her vocals and delivers with great honesty. Jerry’s production is fantastic as we also have a wonderful segment on the strings that kind of possesses you. He has programmed and arranged for the track as well and the quality is there for you to hear. Ishit Kuberkar does the mixing and mastering and Joy Srivastava handles the photography.

14. Museum of Innocence Musicians and artists take inspiration from every object around us, and pain, sadness, break ups are as good triggers as love, joy and success. Javaad Ahmed a.k.a. ‘Judy on the run’ names this song after a book which he bought with his girl who left for someone else a little later. Once can feel his pain through the words and the vocal delivery is a reflection of that anguish as well. As a listener, I am stoked as long as good music emanates from any feeling even thought my heart goes onto him. The Piano is strong and guides the track until the sadness sinks, at which point the song moves into more of an exasperated burst of energies bringing in the electric guitar and higher scaled vocals. Sparsh Jain plays the guitars and also is the music producer but the lyrics and composition credits go to Shaq. Manish das has assisted on guitars and he along with Sparsh join on the vocals in the track. The thumping drums are played by Keshav Chopra, and when all these combine it feels like a rock number by American band ‘Green Day’. Rushik Patel and Sparsh do the mix and master and with Atharva Kamat on album art and Joel Joseph on photography

15. Aakasham His music has been featured before and that too twice on my lists and website before with “Veyil� and “Castle in the Sky�, and they were both gems. Aromal Chekaver is a hot talent in the Malayalam indie space and he is living upto that hype. His vocals are really cool and casual without a hint of strain, and you wish you could keep listening to his voice. Aromal writes, composes, produces and performs in the track. The other highlight is definitely the Nadaswaram interventions by Siva Prasad and at cerrtain segments I could hear some Neelambari Raagam. You can also hear a mild Saxophone in the background and all these sync well with the rhythms. Jay Stellar co-produces the track with all additional arrangements by Nivedh CJ. Amal Mithu plays the guitars and Mahenth MB does the vocal supervision. The track is recorded by Jomon Joseph with Arun K Ramachandran working on mixing and mastering. BM Maheck assists on the mixing and Jijo SV is the musician co-ordinator.

16. Badalon se Vishal Khtari and Dhaval Kothari are flagbearers who really work hard and well to get Gujarati folk and indie music up and running. I have featured them individually before in a few tracks and her we have the combined skill set of both artists giving us a fabulous tune. Dhaval composes and performs while a good mix of guitars, Keyboards and harmonies accompany the vocalist. Vishal does the musical production and arrangements and there is an effort to combine some EDM amd modern Lo-fi sounds with a folkish tune. Unnati Shah just sizzles in her lines in Gujarati as here saccharine oozing voice compliments the soothing Hindi Vocals by Dhaval. Muzzafal M generic is the lyricist and Prasad Maha does the mixing and mastering. Palak Jain does all the artwork while the video is directed and conceptualized by Prachi Arya, with Pritesh Patel as DoP.

17. Last woman on earth Mrunal Shankar a.k.a. Mrunal S Dhole writes and performs this fantasy lyrical wondering how the world would see to the last woman on earth. Dhruvan Moorthy has produced, mixed and mastered the track. She ha skind of done it all, been part of a rock band from Pune, performed as a rapper and shes a singer-songwriter. This song requires some very capable singing and Mrunal is upto the task. She moves between English and Hindi lyrics with consummate ease and it is not only the rapping bits, but the high pitched singing which is where I was impressed. The Keyboard and rhythm programming is also amped up for this high octane number. Some of the lyrics are also nicely penned with thoughtfulness.