Top Indian Songs of the week 18th Aug 2024

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Here are the best songs released in India across languages and genres for the week ending 18th August 2024

1. Oru Oorula Raaja

Lyrics: Mari Selvaraj

Singer: Santhosh Narayanan

Composed, Arranged and Programmed by Santhosh Narayanan

Language: Tamil

Genre: Jazz Hip-Hop

Mood: Groovy

He is unstoppable, is Santhosh Narayanan and here comes this sensation single from the upcoming movie "Vaazhai". Sometimes I think he creates his mini-genre. After mesmerising us with a folkish melody along with Dhee, Santhosh performs here in a genre-bending single that will strike you like a bolt of lightning amidst the dark thunderous folk percussions, and then the brass section and harmonies will feel like reincarnation. I can state with absolute certainty that there is no single Indian composer who can produce something like this, let alone envision it. 

The horns are not the ones we hear inside a music studio or as part of a symphony orchestra. These are the horns in lorries and trucks, just like how Vishnu Vijay used them in his song 'Welcome to Hyderabad' from the movie "Premalu". After that creative intro, we dive into the magic of the brass section with trumpets, trombones and French horns, if I am not wrong. Kudos to Babu, Maxwell, Dominic Xavier and Vijay for giving us an experience of living in New Orleans. 

We can hear the synths, keys and rhythms too, albeit in a very subtle way. I don't blame you because Santhosh is singing with his lungs trying to explode and when he performs with that raw tone, it is unmatched. We hit the interlude segment and the ‘Ramanathapuram Marungan Melam Team’ comes alive. The Keys and the folk percussion combine to create magic that even David Copperfield would be proud of. The percussionists that deserve attention are Rajakumar, Arulpandi, Hemanadhan on the Tavil, Pazhani and Janardhan on the Pambai, Mohanbabu on the Thalam and Kadhirvel on the Urumi. It is then the job of Santhosh to deliver the amazing story penned by the lyricist and director Mari Selvaraj. 

Kindly use your headphones, stand up and give some love to Napier Naveen for the outstanding bass guitars that the man plays right through. They are some of the most zany and ethereal strumming I have heard in an Indian song. Santhosh stands tall as not just the performer and composer, but also as the arranger and producer. The verse ends and when we hear " avan nimirnthu patha vanam, kuninju partha bhumi, idayila avanthan baaram, kaal nadakka nadakka neelum thooram", the brass section arrangements are majectic. We get some pumped-up energy in the second interlude once again with the brass section. I just want to get up and let loose when Santhosh sings " Kuthaattam aduran kuthaattam aduran..."

Keep listening for more magic as Santhosh sings for one last time " oru oorula raaja ", The trumpets play that riff, followed by the stunning humming of Dhee performing the same notes as the trumpets. Yes "oru oorula oru raja" and in today's world of Indian music Santhosh is that Raja. The recording engineers are Pranav Muniraj, Karthik Manickavasakam, Rupendar Venkatesh and Santhosh Narayanan. The tracks are mixed and mastered by Rupendar at Future Tense Studios with Jaba Raj as the studio assistant and Meenakshi Santhosh as the musicians' co-ordinator. 

@musicsanthosh @mariselvaraj84 @navvi_studios @redgiantmovies_ @pranavbalu @karthikmanickavasakam @rupendar_venkatesh @meenakshi_santhoshnarayanan @napiernaveen

2. How The Tables Turn

Performed by Kitanu

Written by Omkar Raghupatruni, Pranav Wahi, Rijul Victor, Rohan Prasanna, Siddhant Sarkar

Language: English

Genre: Rock fusion

Mood: Energetic

This Indian rock fusion band has already been an object of interest for me for some time now, I featured their prior work as well. Kitanu lives up to the hype and expectation again and here we have this upbeat and transcendental piece. The band's highlight reel is always their Sarod and the intro has the pulsating solo of the Sarod by Rohan Prasanna and in combination with the pacy drums by Rijul Victor, and funky bass guitars by Pranav Wahi, it feels terrific.  

Siddhant Sarkar, the frontman makes it a throbbing experience with his energetic vocals as the lead. He even gets many tongue-twisters out of his mouth in the verse and feels pumping. The Sarod and bass are the constant support elements driving the song's tone forward. OMkar Raghupatruni plays the lead guitar and the subsequent verse has more passion coming through in Siddhant's delivery. The jugalbandhi between Omkar and Rohan is brief but breathtaking. Wait till the outro makes its way and you will be captivated by the confluence of the Sarof, guitars, drums and harmonies. The drop in tempo feels cathartic. 

@kitanumusic @blacksheep.records @guitared.jon @deepkharra @rohanprasanna @_pranavwahi @omkar_raghupatruni @corridormusic @siddhantsrkr

3. Oh Raaya

Music: A R Rahman

Lyrics: Poetu Dhanush

Singers: A.R. Rahman, Ganavya

Language: Tamil

Genre: Folk-pop

Mood: Contemplative

The song by AR Rahman from the movie "Raayan", in my opinion, is not just his best in the album, it probably is his best in 2024 yet. Ganavya comes out of nowhere and sings this ravishing number and, it is not that she was gifted this. To me, AR Rahman is also thankful that he chose Ganavya to deliver this beauty. The classical guitar-sounding intro keeps playing on and on and it starts getting haunting. 

Ganavya's delivery does even more to make things feel like being in the presence of a mysterious object and by the time the song ends, I feel threatened that I will become the subject of hypnotism. The harmonies are mild but they too have an incredible hypnotic effect like I just talked about. AR Rahman proves that he still holds his fort strongly when it comes to delivering a terrific sound design. Ganavya has a wide vocal range and she displays it by singing the terrific high-pitched lines "Un kavalayellam thoosa parakattum raasa". The ethnic strings and percussions give it a unique and enjoyable flavour. AR Rahman recently said in an interview that this was an African- Indian folk fusion. 

Poetu Dhanush writes the lyrics, and the highlight is when AR Rahman chips in with the chorus, titular line. The stanza is beautifully written and the whole melody reminds me of MAestro's songs like "Agaya Gangai", and maybe that is why the song has a Raag Madyamavathi influence. My favorite line is "Kaanum kanavu ellam ullangaiyyil varum, vaname mannil varum kanne kanne" with the ending notes on "Kanne Kanne" and the accompanying piano being fantastic. However, the Tamil pronunciation on the words "Kaanum" and "ullangaiyyil" are quite forgettable. 

@arrahman @ganavya 

4. Paintbrushes In The Ground

Songwriting, Vocals and acoustic guitar by: Frizzell D’Souza

Produced by: Aadarsh Subramaniam

Language: English

Genre: Pop

Mood: Contemplative

Wow! Can there be a better word to express the spell of enchantment I'm under? Frizzell D'Souza recently released her EP "In My Asymmetry" and I did a full EP review of it on IG. It is one of the year's finest, especially in the Indie space and I urge you all to please go stream the EP without forgetting. After featuring "Symmetries" a month ago on the website, this is the second song in the EP that deserves a full feature and review. This is my favourite song from the EP. The lyrics are not run-of-the-mill and you know it when you read the lines " Romanticise the alleyways

The dim lit skies and darker days" and so much more that Frizzell has to offer here. 

Frizzell writes a ballistic melody and it is songwriting like this that makes me believe that she is one of our finest. Her vocals are glistening and when you close your eyes and pay attention to her performance, you will feel like you are levitating. The melody starts getting brighter as we head to the pre-chorus and she goes " Surrender Morning come unto you ". The use of falsetto is beautiful and she does it without overdoing the part. The vocal harmonies are another striking component of the song and whole EP, and here too when they sing "Paints in plenty", emotions run high in appreciation of such fantastic songwriting. 

Kudos to Frizzell for envisioning the whole melody and another superstar at work is Adarsh Subramaniam. He is the music producer and Adarsh gets the arrangements and programming done perfectly. Frizzell plays the acoustic guitars and she is supported by Anirudh Ravi, Adarsh plays the Piano. The tantalising string section arrangements and the flowy acoustic guitars are vital acts as we keep listening to the pre-chorus segment. Surya Kalyanaraman is the bassist and the thump of the percussions is thanks to Nikhil Vasudevan. Akash Shivakumar and Krishna Rao are the recording engineers and the tracks are mixed and mastered by Vivek Thomas. The cover art is by Prathviraj Shastry, with Kappa Originals being the publisher. 

@frizzell.dsouza @aadarsh_s @surya.k_music @kappaoriginalsofficial @nikhil_vasudevan @mkrishnarao @akashshivakumar @vivekthomasproductions @bring.back.the.sound

5. I Killed a Man (in my dream)

Vocals, Lyrics, Composition, Rhythm Guitar: Shivang Arora

Produced, Mixed and Mastered by Shivang Arora

Language: English

Genre: Metal -Rock

Mood: Energetic

Hold on, this is not Linkin Park or RHCP that we are listening to! Shivang Arora is killing it (not in my dream). He writes, composes and performs the lead vocals for this thunderous metal-esque rock single. We have some tremendous support from Jerry Allen on lead guitars, Raghav Bhutani on drums and Ameen Singh on bass. The trio of live instrumentalists breathe fire and spit ice and in the end, we get a satisfying record.

The song is well-written from a lyrical standpoint too, and though we know the whodunit part, parts like " I'm afraid I might have left a trace" keep things intriguing. Shivang also plays the rhythm guitar and we start paying to the words and it feels like the story of a stupid boy who got brainwashed. The vocals are supremely executed with energy, chutzpah and tone perfectly fitting the song's style and genre. 

We are treated to some stunning solos on the electric guitar in the interlude, and Shivang must pat himself on the back to get the record produced and arranged efficiently. The team excels too like Raghav's intelligence to know when to raise hell and when to hide away on drums, the persistence on the bass guitars by Ameen is all worthwhile. Did your face melt off in the outro when Jerry plays a smashing electric guitar solo? I guess he is the murderer!

@shivang.wav @jerryallen.samuel @reghev_drums @dopameen23 @trivedeeznuts @addypaull @awal

6. Blueshift Horizon

Producer: Karan Barnabas

Composer: Karan Barnabas

Language: Instrumental

Mood: Energetic

When Karan Barnabas sent me his track, I had no idea what I was about to listen to. I played it with a clean slate of mind. It was like dipping my toes in the stream of water running down a beautiful valley. The water ebbed and flowed, maintaining the tranquil impact it had on me right through the five and a half minutes. This guitarist and producer who graduated from AR Rahman's KMMC, instilled hope, and pushed my adrenaline levels to limits I never expected in a dull drab post-lunch period. 

At one point I feel sorry that his fingers might hurt and go numb, but Karan sizzles away on the lead guitars. The bassist is Mathew Panakal and the pumping drums are by Shrikar Varadarajan. The melody is written by Karan and he has co-produced the record along with Parishrut Kanhe. The progressive rock music that we hear is not just about decibels, but about transforming shifts in melody and tempo that will drive us towards the beautiful horizon. Listen to the flowy keys, just past the 3rd minute and one is bound to be lifted off the ground just hearing it. 

Briefly, we hear a calmer segment along with vocal harmonies as well, only to later be bombarded with the lead guitars and drums, like taking the fast lane to heaven. The vocals we hear belong to Chirag Shetty, Saniya Jaiwant and Yaashasvi Dasane. The tracks are mixed and mastered by Parishrut and the recording engineers are Vishwas DS at Le Music Studio, Chennai and Akhilesh AR at River Records, Chennai. 

@karan.barnabas @parishrut_ @saniyajaiwant @chirag__shetty @gswarnabha @maffewbass @lemusicstudio @the_drumtard @riverrecords.in @yaashasviiddasane @madverse.music 

7. Bawara Mann

Composed produced & mixed - Yohan Marshall

Co-written - Neeraj Patil & Yohan Marshall

Language: Hindi

Genre: Alt-Pop

Mood: Groovy

This is one of Yohan Marshall's better works, and he gets a load of his creativity on board as a composer and producer for this single. I have been tracking and have featured his work before so it is exciting to see Yohan try out new things. The song opens up as a fast-paced pop single and then there is a beautiful moment when the tempo drops and it still looks seamless. The song is composed by Yohan and Neeraj Patil 

He sings "Tasveer me na chupa saka, kitaab mein bhi na likh saka kabhi", with the upbeat rhythms. Then he says "yeh mera fasana. bawara mann", the chorus segment is such a deviation from the verse and feels like a breath of fresh air. The flowy guitars and keys are added elements that make our hearts swell with joy. The arrangements and production are epic with the introduction of the drums and lead guitars creating some dreamy pop that makes this week one fulfilling experience. Thank you Yohan for such an immersive sonic experience.

The bridge section once again takes me by surprise with a nicely written melody that shifts its trajectory and has English lines.

@yohan_marshall_ @ranii_kaur 

8. More Than Love

Written, Composed and Produced by Dhiren

Language: English

Genre: Pop

Mood: Romantic

When a budding artist works under the tutelage of great musicians, the end result is bound to be something unique and long-lasting. Here comes Dhiren and I have featured him as a producer as well as an artist working with the giants Salim and Sulaiman. This song is written, produced and performed by Dhiren with some exquisite class and quality. The verse begins and as he gently performs the lead vocals, the accompanying lead guitars, bass guitars, keys and rhythms co-exist and generate an all-around likability. 

I love the tone in his voice, making this a beautiful romantic pop single and Dhiren shows his abilities as a producer thanks to the effective arrangements and programming. I am reminded of 1990s pop from greats like Elton John and I hope Dhiren grows in leaps and bounds in the coming ventures. He leaves no stone unturned and some of my favourite segments are when he heads into the falsetto accompanied by harmonies and some mild brass section interventions. The tracks are mixed and mastered by Bryan Shortell. 

@itsdhiraining 

9. Ratiyaan

Singer- Hansika Pareek

Music Composed & Arranged by Sagnik Kolay

Lyrics- Soham Majumdar

Music Production- Prithweeraj Sarkar & Sagnik Kolay at The Chords Factory

Language: Hindi

Genre: Folk

Mood: Happy

It is like I took a capsule and entered a world where every sound around me pacified and captivated me. Thank you to Sagnic Kolay who has composed the melody and arranged the instrumentals for the record. The music production is by Prithweeraj Sarkar & Sagnik Kolay at The Chords Factory. Tanmoy Mani brings out the inner child in me with the flute solo in the intro. Hansika Pareek has been singing some amazing songs over the past couple of years, but this one is really special. Her vocals are sweet and loaded with so much goodness that I could play it back again and again and feel the warmth looming around me. 

The live instrumentals are arranged to bring about some very distinct layers like the Ektara by Sagnik, Strokes by Sunny Karmakar and the Sarangi by Sudhendu Haldar all combining effectively. The interlude has this strings section in the background and the guitars too emerge to create the flavour of love and tenderness. Kudos to Sunny, Ritesh Das and Sagnik for the design of the acoustic, classical and bass guitars. The song's tone feels like one of Amit Trivedi's "Sawar Loon" from 'Lootera', and that is meant to be a compliment. 

Sagnik and his team must be appreciated for giving us a beautiful tune and decorating it with catchy arrangements, and production. Sumit Nandi is the mix/master engineer at Crescendo Studio. The recording engineers are Sunny, Ritesh and Tanmoy. 

@sagnikkolaymusic @lyricssoham @hansikaapareek @sunnykarmakar_smp @mixedbysumitnandi @hansikaapareek @sudhendu_haldar @ritesh_guitarplayer_official @panchavakra @thechordsfactory @prithweerajsarkar @stereoauxrecords 

10. Snooze

Performed by Tushar Mathur

Written by Tushar Mathur

Language: English

Genre: R&B

Mood: Groovy

It is a nice discovery for me, to find this artist Tushar Mathur. I had never heard of his work before, but I did the opposite of 'Snooze' when I listened to this title song from Tushar's new EP. The impact on me was that it woke me up from a Monday morning slumber and I knew I had to feature it. I will be listening to the rest of the EP subsequently but here is my review of this fantastic Jazzy single.

The song is written by Tushar, both the melody and lyrics and has performed these steamy vocals. The keys and rhythms and straight down the alley of R&B music and when I heard the Gospel-styled harmonies along with the trumpet intervetions I was sold. I would play this on a loop right through the evening and sip on some wine. Then comes the Altos Saxophone in addition to the trumpets and things just get uber-stylish and groovy to listen to it. Let us not forget the bass guitar support all along. 

@tushar_mathur30

11. Tanhya Ropaasathi 

Singer, Composer - Radhika Bhide

Lyrics - Kaustubh Arun Athalye

Language: Marathi

Genre: Folk/ Semi-Classical

Mood: Mild Pathos

Radhika Bhide is one of the many talented musicians from Maharashtra and her ability to stay close to the core of Indian classical music, yet presenting in a slightly modified and widely acceptable format is her greatest asset. The humming by backing vocalist Shammika Bhidde and the Esraj/Sarangi sounds make for an impressive intro segment. Radhika hits you hard with her stirring vocals and the lyrics are penned  Kaustubh Arun Athalye. 

The singing is filled with apt emotional tones and when we hear the rhythm arrangements it feels like a Ajay-Atul record. Amit Gadgil on bass guitars, paints the song's texture with some bright and fancy colors. The additional rhythms are by Nihar Shembekar. I kept wondering if there was a mild Raag Pilu influence, but Radhika corrected me and said that it was more of a Raag Malhar influence. The thunder and the feeling of rain sounds in the song are probably best expressed through this Raag. The Mandolin by Aishwarya Pagare keeps playing with a titillating effect in the background in the stanza. Ajinkya Dhapare at The Sonic Station is the recording engineer and the tracks are mixed and mastered by Rupak Thakur. 

@radhika_bhide @mando_aish98 @basswati @shammikabhidde @niharshembekar @thakurrupak

12. Bhalobeshe Phelechi Tomaye

Singer - Rupam Islam

Lyrics - Saikat Kundu, Indraadip Dasgupta

Music Composition- Indraadip Dasgupta

Music producer- John Paul

Language: Bangla

Genre: Rock Ballad

Mood: Pathos

Indraadip Dasgupta is in such amazing form, and here we have the second consecutive week featuring a song from his new movie album "Babli". Last week was about the mesmerism of Shreya Ghoshal, and this week we have another stalwart Rupam Islam to transport us into another land of tranquility. John Paul is not only the master behind the scintillating guitars, but he has also produced the song, taking up from Indraadip's composition. 

The vocals start having this pulverising effect on you and the rock ballad genre gets into your system. The melody probably has some influences of Raag Charukeshi when he sings the line "Bhalobeshe phelechi tomaye..". It is probably the reason for that pathos becoming engraved in the melody. The drums start engaging and now we know the energy will transform from just pathos into something more uplifting. The chorus works brilliantly in achieving the effect of an inspiring anthem. Diptarko works on the backing vocal design and the musical assistant to Indraadip is Debayan Bannerjee. 

Get a load of the solid guitar solo along with the Keys in the background and the song's undeniable highlight is the journey we are taken into by Rupam's singing. The recording engineer is Pom at WCZ. The tracks are mixed and mastered by Subhadeep Mitra. Kudos to the whole team for some exceptional arrangements and production as well. 

@indradeep @rupamislam @rajchoco @itsmeabirchatterjee @subhashreeganguly_real @saurasen1 @rcepvt

13. Seethamma

Singers : Kapil Kapilan, Pranathi, Shahbaz Khan

Lyrics: Bharadwaj Gaali

Qawwali Lyrics: Zeeha Khan

Music: Sashank Tirupathi

Language: Telugu

Genre: Light Music

Mood: Happy

Some young composers seem to keep up the good work, and Sashank Tirupathi is one of them. Pramod Umapathi on the flute solo and Josel Sastry on the acoustic guitars make merry in the intro. The melody is a lullaby that rocks you to sleep and it helps matters that we have Kapil Kapilan in terrific form singing his lead vocal lines. The female lead vocalist is Pranathi and she complements Kapil quite well.

The melody is written quite elaborately with the Pallavi and Anupallavi segments being long. There could be some influences of Raag Bihag if I am not wrong. The keys and rhythm programming is by Finny Kurian and Harikrishnan ME. The interlude has chorus singers performing viz. A.Harishitha, Keerthana, Taniksha Balaraju and Sahithi. We enter a phase of some Sufi serenity and the the vocals are performed with great elan by Shahbaz Khan, with lyrics by Zeeha Khan. Anil Robin maintains the fervour on percussions and the Veena interventions are by Phani Narayana. Sandilya Pisapati plays the Violin solo. 

The tracks are mixed and mastered by Finny Kurian, with Dil Vinu as mix assistant. The recording engineers are KS Maniratnam, Jisto George, Finny and Shalem. 

@sashanktirupathi @kapilkapilanmusic@k.pranati @shahbaaz___khan @bharadwajgali @finnykurian @shalem_kumar_kalaga @harikrishnanme @zeeha__khan 

14. Ullaasam

Lyrics: SANARE

Singer: SANJITH HEGDE, KRISHNA LASYA MUTHYALA

Music Producers: JAKES BEJOY, DANIEL JOSEPH ANTONY

Language: Telugu

Genre: Pop

Mood: Romantic

The movie is about to release soon i.e. " Saripodhaa Sanivaaram", and Jakes Bejoy cooks up some good music in the album. This catchy Pop single sets the mood up for some fun and frolic. Sanjith Hegde with his casual delivery style makes the romance spread through in every note he performs. I was thrilled to hear the female lead singer Krishna Lasya Muthalya, as this was my first time hearing this vocalist and she gave one smooth performance, matching up with Sanjith. 

Jakes is the composer and he combines with his talented team to give us some enjoyable synths and rhythm, keyboard programming. The music producers are Daniel Joseph Antony and Jakes. Glady Abraham plays the additional Keys. Sanu PS is the guitarist and I love the Tenor Sax in the interlude. The stanza gives me some funky moments thanks to the pause and wonderful keys. Kiron Kumar is the flautist and Carol George plays the solo Violin in the interlude. The song is the perfect way to give you company on a long drive and you don't even have anyone to talk to, and you can keep thinking about your lover. 

Andrew Gerlicher stuns you with the string arrangements in the outro with Daniel and Maneeth Manoj on the session arrangements(assisted by Paulose Philip). The percussionist is Kalyan and the lyrics are penned by Sanare. The tracks are mixed and mastered by Balu Thankachan at 20dBBlack Studios, assisted by Paul J Daniel. The recording engineers are Midhun Anand, Daniel, Maneeth, Senthil Prasad and Naresh Mamindla. 

@jakes_bejoy @sanjithhegde @krishnalasya_muthyala @__sanare @nameisnani @priyankaamohanofficial @officialaditibalan @kd.vincent @mamindla_naresh

15. Veham

Composition and Vocals: Rochak Kohli

Lyrics: Vayu

Music Production: Sharan Rawat

Language: Hindi

Genre: Pop Ballad

Mood: Pathos

The Piano plays mildly and I am tempted to say that I have a recall of a famous Global pop superhit. Anyway, Rochak Kohli who has been blowing hot and cold, gets this one right on. I love the melody and his vulnerable vocals add to the song's appeal. I love it when he passionately says " Na manzilo ka pata hai" and thanks to Vayu's lyrics we get the message loud and clear. The music producer is Sharan Rawat and so well done brother for getting the arrangements to intervene and fill in appropriately. 

Mohit Dogra is on the acoustic guitar and his strumming along with the Piano is central to the song's engaging tone. Sharan brings in vocal harmonies and catchy rhythms to help the cause and it just jumps a few levels after the humming and the rising intensity after the 2.15 minute mark. Vayu leaves his mark with lines like " sheher ke soone shor se , hara bhara hai andhera mera" getting philosophical, and he drives the romanticism through lines like " yahan pe tu aur main ek hain, nahi hai kuch bhi tera-mera". The tracks are mixed and mastered by SHadab Rayeen at New Edge with assistants Pukhraj and Anup. 

@rochakkohli @vayurus @shadabrayeen @iammohitdogra @warnermusicindia @sharanrawat @arrshgrewal

16. Do Kadam

Singers: Aasa Singh, Akasa

Composer, Author, Producer: Sujeet Anahata Thakur

Language: Hindi

Genre: Pop

Mood: Romantic

I didn't bother waiting for the song to begin because the moment I saw these two names viz. Aasa Singh and AKASA, as lead vocalists, I knew what to expect. I have featured both of these amazing vocalists before and as expected AKASA and Aasa twinkle with elegance. The gentle melody is composed by Sujeet Anahata Thakur and he has also penned the lyrics and produced the record. The additional music production is by Aarambh Dewaskar and the bassist is Joshua Rajan. 

The tempo is never rushed and it feels like taking two small steps (Do Kadam) at a time. This allows space for pauses, the song to breathe, the arrangements to come to light. I believe it is the Mandolin, by Dwaipayan Ghosh, that constantly keeps accompanying the background and we have the keys and rhythms to round off things. Sujeet believes in writing a hummable melody and using Aasa and AKASA with one trailing the other in the stanza works quite well. By employing the harmonies we get another lush layer that adds to the beauty of the song. The song is co-produced by Joel Jossy and Sujeet with the latter also being the mixing/mastering engineer. 

@zariyaa.hun @aasa.sing @akasasing @joel_jossy @im_joshua_rajan @doi.mando @aarambh_aka_thebear @firstwav