Top Indian songs of the week - 2nd Jan 2022

This is the week's best music from across the nation. Music from every state written in every language, composed as a part of Movies and by Indie artists is listened to and after analyzing more than 300 tracks released in the week ending 2nd January 2022, I have rated and reviewed the 15 absolute best tracks in the country. This is truly India's ONLY multilingual music review and music curation page. Week after week, without any breaks you will get the review and links to the best work from musicians all over the country.

Find the full playlist of Top Songs this week on SPOTIFY

1. Christmas times

It is more than 10 days since Christmas, but it is never too late to listen to the goodness of music relating to the festive season. Samantha Noella is one of the finest vocalists in the country and her vocal strength in delivering styles of Jazz especially is without parallels. Tubby is the music composer for this joyous score with lyrics penned by Samantha herself. There are a lot of backing vocalists ate play here and they are all students from the Scattitude Academy of music comprising of Sera Sanyal, Aarya Gadkari , Kiara Alemao, Ivaana Vastani , Alisa Pacheco , Rebecca Vaz and Bethany Pereira. The saxophone is constantly playing right through the track in the background layers, and just when you wish you heard more of it, Mark Hartsuch plays a savvy solo with his own improvisations. Vinayak Pol plays the drums, and there is a lot of emphasis on Keys and strings that keep the song alive. The harmony section is a beautiful segment that is quite a deviation from the main track.

2. Naad E Ali

You hear this and you are transported into a land of calm and you feel like you are just waiting at the gates of heaven. Apparently this is a powerful prayer, calling Hazrat Ali and resonates the event of Gadeer E Khumm, in a traditional Qawwali form. The singing and its effective impact on us can be discussed at great lengths, but what about the Harmonium played by Bawa Sahni, Tabla by Navin Sharma and Dholak by Aslam Dafrani and Navin. Salim-Sulaiman are truly unstoppable and one cannot thank them enough for their contribution to music as they compose and produce one more fabulous track for Bhoomi 2021. The lyrics are written by Salim and Noor Vasaya and Raj Pandit as usual co-produces it. The scintillating vocals of Salman Ali is beyond par and he is ably supported by Salim,Raj and Vipul Mehta in the lead. Other than the traditional Table we also hear the drums and Darshan Doshi plays them, with some really keen observation you can judge the greatness of bass guitars’ notes played Rushad Mistry. There is a lot of sgments in the song where I am tempted to say that there is an influence of Sindhu Bhairavi Raag, which is known as Asavari in Hindustani. The harmonies add a great layer of depth and it has some inspiration vocalists there too like Rajiv Sundaresan, Rishikesh Kamerkar, Suhas Sawant, Muheet Bharti, Deepti Rege, Archana Gore, Aditi Prabhudesai, Jitendra Tupe, Umesh Joshi, Janardan Dhatrak and Dattatray Mestri. Jarvis Menezes plays the keyboards and we have Nzel D’lima and Muheet Bharti on acoustic guitars. There are also these middle-eastern flavors thanks to the Oud and Bouzouki played by Tapas Roy. The track is mixed and mastered by Aftab Khan, recorded by Aftab and Raj with Vatsal Chevli working as a mix assistant.

3. SAIYAAN NIKAS GAYE

I have an upcoming post and blog article talking about how there are only two brands I will totally trust when it comes to musical releases, one being “Merchant Recordsâ€? ( Salim-Sulaiman) which has two songs in the top 6 this week itself and “Compass Box Studiosâ€? (Raag Sethi and company) who has worked on this track. The level of consistency with which these guys dish out new music is insane. This particular traditional Thumri has been delivered by many great artists before and although I did assume that there was some Sindhu Bhairavi in this as well, it is actually set in Mishra Bhairavi. We have Raag Sethi and his team cooks up a beautiful Jazz version of this Thumri and it is the Hindustani trained Mirande Shah who vocalizes the track. Raag has produced, engineered and played the guitars with Mirande as its creative producer. Shivang Kapadia is so gentle with his high-hat drums right fmor te beginning and it is only her voice that serenades us. Raag on acoustic and electric guitars and Marc Damania on bass guitars up the ante along with Nayan Kapadiya on Keys. Fusion music at its absolute best is how I can define this wonder and Mirande is  a shining star proving her worth because it is so difficult to be noticed above all these live instruments and arrangements. In this 8 minute long track there is more than 2 minutes of instrumental fun with the keys and then guitars like a Jugalbandhi. Protyay Chakraborty has mixed and mastered the track. The last 1 minute is just so enjoyable with Mirande’s vocals, drums and guitars that you enter a zone of oblivion about everything else.

4. Aaromal

Shaan Rahman rises like the phoenix, and that is what I feel hearing this finger-lickin good song. The movie already has been creating a huge wave as a solidly entertaining super-hero movie and Shaan provides the music some super-human music to go along with. I have heard of these terms like one-man strong quartet and it is even draining my energy to just type it but if there is one man in India who can pull it off and sound uber-good at it, it has to be Rithu Vysakh. I feel like every element of this song is created by someone who possesses “Minnal Murali� s super-powers. The track starts off with the ravishing strings section and not for one second Rithu rests, smacking us with more and more of it and these are the sounds and tones some great musicians of yesteryears would be so proud of. Shaan has composed, programmed and arranged with lyrics by Manu Manjith. Listen to the whistles, and my god Nithya Mammen is kicking ass with that voice and delivery, and honestly she sounds like she has just attained another perspective to her tone, considering she is so delightful in all the melodies we have heard her sing before. Sooraj Santhosh has been one of my favorites and it is so nice to see him amongst the thick of things here. The playful lines where Nithya utters like a rap is interesting followed by a breezy humming that sticks to your mind like glue. Balu Thankachan mixes and masters the track.

5. Jallianwalla

This is a dedication to one of the goriest massacres of British India rule when which British troops fired on a large crowd of unarmed Indians at the Jallianwala Bagh in Amritsar on 13^th April 1919. Clinton Cerejo and Bianca Gomes were last seen working in Bob Biswas the OTT film on Zee5, and now the duo who call themselves ‘Shor Police’ have composed a cracker here and when I hear it, I can feel the energy of a charged up solo ready to fight and stand up against an injustice.  This too comes under the Bhoomi 2021 collection and distributed by ‘Merchant Records’. The lyrics in English are written by Clinton and Bianca, with Punjabi words by IP Singh. Bianca’s singing is top-notch as single-handedly raises the adrenaline levels helped also by high-quality programming. It is seamless, the way Harshdeep Kaur joins in on the vocals and you will never know when Bainca’s English lines end and Kaur’s Punjabi lines begin. The main instrumentalists creating magic here are Anurag Sawangikar on drums, Zain Boxwala on Keyboards and Bhushan Chitnis on guitars. The track slowly shifts into one that more pacified and Harshdeep also modifies her tone to suit that segment. The chorus team is comprised of Deepti Rege, Jitendra Tupe, Archana Gore and Umesh Joshi. The track is Recorded by Pallavi Kedar & Zain Boxwala at The Groove Room, Mumbai, Mixed by: Clinton Cerejo at The Groove Room, Mumbai and Mastered by: Aftab Khan at Headroom Studio, Mumbai

6. Ruswaa

One name that I consistently find among the best in Indian music is this Reeshabh Purohit. He is young, supremely talented and most importantly original. Here we have an original Ghazal composed and performed by Reeshabh with lyrics by Kalim Shaikh. Khwaab a.k.a. Nishant Nagar is one amazing producer who specifically works on original and rendition of classic Ghazals and he has done himself proud by creating this masterpiece. Mahavir plays the Tabla, and all the Sarangi we hear is played by Mudassir Khan. Reeshabh’s voice immediately invokes that feeling of unbridled love, as he just gets so inventive with his aalaap. I am kind of confused because there are some influences of Raag Pilu and Patdeep but Reeshabh believes he never composed it with a single Raag in mind. The Sarangi interludes are quite elaborate along with synth and keyboard programming. Reeshabh himself does the mixing and mastering with Shubham Valse doing all the artwork and lyrical video work.

7. Saahiba

It is a treat to have these two musicians have their songs listed in the same week, after Reeshabh Purohit Sarthak Kalyani is another bright talent, who specialises in Classical Indian fusion music. This one is most probably set in Raag Jog, but the composer says that it is not true to just one Raag, moving and shifting into various forms.  It is composed, arranged, performed and produced by Sarthak. Akash Sharma assists musically with lyrics written by Satyansh Rajat. The song starts off with some really stylish and pacy guitars, and you can hear The Piano in the background as well. There is one nice segment with the Konakkol as well as then we have more guitars and Keys in the interlude. Mohit Shandilya and Divyam Mehrotra handle the additional programming as Mohit also mixes and masters the track.

8. Malebille

What can stop Ajaneesh Loknath from creating great music? Wait , why should he be stopped? Let us celebrate this man’s genius! He gets in Haricharan to sing this song, and his voice is the epitome beauty in a male’s singing voice. Keba Jermiah plays the acoustic and bass guitars while the keyboards are played by Ajaneesh, Midhun Ashok, Ajay Joseph and Shyam Kumar AS. There are influences of Keeravani Raaga in the pallavi and ther glory of the tune gets magnified with Hari’s singing, the strings section and guitars. The flute is a part of the interlude with even  Veena playing in the background and dominating the second interlude. Chennai Strings is responsible for the strings section conducted by Yensone Bhagyanathan. Ajaneesh and Kalyan Chakravarthy handle the rhythms section and Biju James has mixed and mastered the track. Anup Bhandari writes the wonderful words in Kannada. The verses have a tinge of sadness attached and maybe it is because of the apparent influence of Raag Charukeshi.

9. Desert Island

I have always been fond of Nikhil Dsouza’s work as he tries to reinvent himself and give us fresh music without churning and rehashing the same old stuff. The Synth is what invites us straight away into the track and it is Nikolaj Torplarsen who plays them both. The songwriting is a combined project between Nikhil and Jeff Cohen, with Martin Terefe producing it. The keys starts playing when he sings “Need you to come over�, and then the acoustic guitars take over played by Nikhil and Martin. There is a beautifu bit on the Piano in between aided by Martin on bass guitars, but what sticks to you mind is the “oh oh ohhhoooo� humming. Nikhil exhibits excepetional vocals in the track and he also plays the electric guitars, and let us not forget the drums played by Kristoffer Sonne. The track is mixed by Ash Howes, mastered by Brian Lucey and recorded by Oskar Winberg.

10. Ishq Fakeeri

We welcome some refreshing music from the Hindi belt as well, as this has a lot of similarity to the sounds of Bollywood, only better. Ankit Tiwari and DJ Phukan produce this pacy number with lyrics by another composer/lyricist Shabir Ahmad. Akit has directed ths musically while alos performing on vocals and that is what drives the song. The moment you hear those guitars you know, its coming from someone awesome and yes it is Ishan Das. Ankit has been a playback singer for a while now, and although he too sounds like Arijit Singh, it sounds less imitational. Madhab Deka assists on the music and you can also hear a wonderful layer of harmonies thanks to Pallavi Tiwari, Leena Bose, Lalkaar Abhishek and Ankit himself. The Sarangi comes and goes mildly in the background and all this sounds authentic and beautiful thanks to the sound engineering with Ankit on recording and Eric Pillai on mixing and mastering. The song does have shades of Pritam’s “Fakeera�.

11. Laddoo Song

What do you call as healthy competition? When everyone around pushes and motivates one another for the betterment of one and all! Well I am trying to articulate here but an example can be seen of this in the Kannada music scene. Almost every week we have one song at-least in this list and it is always a few rivals fighting it out for the best. If Ajaneesh Loknath had a track, Arjun Janya cannot be far behind. This is a fabulous song with a lot of A Capella styles employed and credit goes to the lead vocalist Nihal Tauro as well as the Choir comprised of Judith Philip, Aniruddha Sastry, Pratham Bhat and one of my favorite singers Aishwarya Rangarajan. The choir arrangements are by Bruthuva Caleb. Nihan is someone I am hearing for the first time and he has got this accented Kannada going on but his vocals are pitch-perfect. David Selvam sizzles on electric guitars especially on this minor solo interlude but he also handles the Keys and Rhythm programming. The song speaks to me like a UB40 number set in the reggae style. Suni has penned the lyrics and David has also mixed and mastered the track. The verse is so stylish with excellent harmonies and finger clicks good enough to glorify the notes, but that’s not all, we also can hear trumpets and even an Organ. Aishwarya excels at the scat-singing bit towards the end.

12. Mehez Baatein

His album was excellent and I have featured more than 3 songs from it and here comes one more. This is written and composed by Siddhant Mishra like the other tracks in the album called ‘Ehsaas’. The Keys are all you hear to invoke and grab your attention and then what follows is Pavithra Viswabarathy’s touching and striking vocals. She is incredibly emotive uttering every word and syllable from the bottom of her heart and that is why the vocals are effective. Siddhant has produced and arranged for the track as well, with Rupjit Das mixing and recording the sounds. The Piano totally dominates the scene, taking up the interlude space, and it adds to the gravity of the song. Pavithra explores the verse at much higher scales and she is equally comfortable and this song most suited for our special moments we like to spend only with ourselves.

13. Knaach Bhangaar gaan

His name signifies the elaborate feelings that get triggered when I hear his musical compositions. He calls himself Joy Sarkar, and I have been waiting for months to hear his next project. To my mind, he is one of the finest in the land and definitely someone along with Anupam Roy and Nilanjan Ghosh who function as the flag-bearers of great modern Bangla music. Jimut Roy who dazzled in Joy’s web series compositions of “Tansener Tanpura� now sings ravishingly along with Shovan Ganguly. I was trying to figure out what this brilliant song is influenced by, and when I spoke to Joy, he tells me it is Raag Gujari Todi with a hint of Raag Lalit, and then as I research it, I realize that the Carnatic equivalent is Raag Subhapanthuvarali and no wonder I was constantly allowing my mind to go back to some great compositions down south based in this raag. Maestro Ilaiyaraja has two very different styled songs and I woul recommend that readers hear them to get a sense of this Raaga viz. “Vaigaraiyil� and “Kandupudichen� both sung by SPB sir. Joydeb Nandy is exhilarating on the acoustic rhythm. The Flute is played with consummate ease by Bubai Nandy and Rahul Chatterjee joins in on the fun with his Sitar. Srijato pens the lyrics, and Somen KuttySarkar and Sabuj Mukherjee work on the programming. The song has an amazing duel between Shovan and Jimut on swaras. Let us not forget the bass guitars that keep playing providing a stylish layer in between all this. The guitars are played by Joy while Goutam Basu has recorded, mixed and mastering.

14. T-shirt from every lover

Jade reached out to me asking if I would be interested in listening to her debut single. I always am open to listen to explore newer artists, and that is why 2021 had me listen to 3800 different performers. So when I started listening I was profound by her singing and composition, and it kept taking my memories back to some of the best country music from the West. Jade sings, writes, composes and plays the guitars with arrangements by Jade and Rishit Chauhan. The track is mixed and mastered by Zac Abraham. The singing and guitars set the right tone but the background vocals that come as a humming beautifies the track even more. The drums and resonator guitar sounds are programmed into the scheme of things as well adding to that country music flavor. Though she only gets a Tshirt from every lover left behind, Im glad Jade has left behind a wonderful song for all her music lovers.  

15. Aakhri Zarra

Aditya Kalway probably composed and sang the best song of 2021 with “Kalabaaziyaan�, and he certainly ends the year with another smashing number. I have a huge affinity for his original music and he does enhance it with his gifted voice. This is a love song but the couple fall out of love here, expressed lyrically and musically Aditya who has also sung and produced the track. Aditya soaks you in his emotions when he sings and that is something only a well-rounded singer can achieve. Ruthuraj plays the guitars along with Nikhil Sinha and all other instruments we hear are a result of additional production by Ravi Romana and Sarthak Kalyani. The bass guitars keep playing right through and just then we hear a layer of flute played by Sanoop S along with some mild humming. The track is mixed by Ravi and mastered by Ajinkya Dhapare with all the artwork handled by Anushika Luthra.