Top Indian Songs of the week 21st April 2024

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Here are the best songs released in India across languages and genres for the week ending 21st April 2024.

1. Hey Hello Namasthe

Music composed, arranged, and programmed By Jose Jimmy

Lyrics: Shreemani

Vocals: Shankar Mahadevan

Language: Telugu

Genre: Alt-Pop

Mood: Happy

Out of the blue, I heard this song one fine day, and I couldn't believe that a song of this quality was composed by someone I hadn't heard of before. Many stalwarts in the Indian music space would be proud of this work, as Jose Jimmy weaves an ecstatic piece of musical revelry here. Coming to think of it, the city of Hyderabad gets a well-deserved anthem thanks to the music, production and suave writing by Shreemani. 

Shankar Mahadevan is an ideal pick to sing a song like this, which requires an emboldened energy and passion on vocals. The Hindi lyrics are penned by Jose Jimmy, Sumeesh Gopi & Bibiya Benny. I have always believed that a song will sound fabulous when you introduce a kids' chorus segment ( right from Maestro Ilaiayaraja's 'Anjali' album'), and Jose proves me right. The kids performing in the intro are Thaman Sai, Saanvi Jakkam, Saaveri, Sreerag, Akshita Pola, Tanvi Sri Pingale, Harshitha Arava, Tanishka, Anjali & Ujjwal at the Little Musicians Academy. This kids' chorus is conducted by Aishwarya Daruri. 

Sumesh Parameswar is captivating on all the guitars, titillating acoustic and funky bass. The tone, sound design and production remind me of AR Rahman's greatest works and Jose Jimmy makes an indelible mark, like "Dil Se" Title track. Shankar's outstanding delivery has Jose and Souparnika Rajagopal on additional vocal support. I find it interesting that Jose uses "yeh sheher nahi, mehfil hai" which we have heard in AR Rahman's "Dilli 6" from the amazing album 'Delhi 6'. Sruthi Raj gets the upbeat mood enhanced with the percussions. 

The melody continues to sizzle with some excellently written notes and they do sound like traces by Raag Jog (Natai in Carnatic). As much as anything else in this song, Sumesh is probably the biggest hero, playing some terrific electric guitars that sound like U Sreeninvas' Mandolin. The transformation towards the end is as we get a sped-up tempo and Sruthiraj blasts off with his percussions. Balu Thankachan is the mix engineer at 20db Black in Chennai with Paul J Daniel on assistance. The tracks are mastered by Gethin John @Hafod Mastering - Wales UK. The recording engineers are Nishant BT(NHQ), Amal Mithu (K7), Kiran (RO), Hariharan (20db) & Soumil Shringarpure (Lambodara Studios). 

@expectczarcasm @aidhwaryadaruri @parameswarsumesh @shankar.mahadevan @jozjimy @vamsipujit @naanigaadu @meghana_shehshavapuri @pamuvignani @shreelyricist @preethipagadala @patangthefilm @tseries_south @20dbsoundstudios 

2. Moh Na Laage

Artists - Shreyas Puranik, Arijit Singh

Music - Shreyas Puranik

Lyrics - Siddharth-Garima

Music Produced by - Jackie Vanjari

Additional Programming - Rutvik Talashilkar

Language: Hindi

Genre: Light Music

Mood: Romantic

The duo of Siddharth Garima are lyricists I have featured a few times and this time they turn movie directors. The movie reviewers haven't been so kind, and as far as the music of the album goes, this is one song that was an absolute humdinger. Shreyas Puranik has been on everybody's tongue after his role in the musical album 'Animal', and I too featured his song. Now Sheryas graduates and crates a song that could very well end up among the year's best in Bollywood. 

The melody is written with such care and love as it oozes quality at the turn of every note and Arijit ensures that the song is delivered perfectly, adding the right amount of emotional aptness and technical goodness. Dipesh Varma excels in rhythm and percussions, which stands out for me. The chorus segment is the highlight reel of the song and we need to appreciate Jackie Vanjari, the producer and Rutvik Talashilkar, the man on all the additional programming. The arrangements are tip-top and you will feel elated hearing the flute by exponents Kiran Vinkar & Tejas Vinchurkar gliding through the background. 

The stanza doesn't disappoint and the juicy melody that we heard in the sthayi and antara, continues. I believe there are some influences of Raag Kedar in this melody. Jay Mehta is the Music assistant, and Prashant Snagra joins on the Tabla. We get a beautiful bridge section as well and the production is impeccable during this segment giving goosebumps all the way. Tanay Gajjar is the mix/master engineer and the recording engineers are Rahul M Sharma and Samir Dharap at Studio 504.  

@shreyaspuranikofficial @arijitsingh @dukaanthefilm @musicgarageofficial @siddharthgarima @jackievanjari @rutvxk @kiranvinkarflute @tejas.flute @prashantsonagra @samirdharap9 @rhsharma504 @tanaygajjarofficial 

3. Mirza

Song Composed, Arranged and Produced by: A.R. Rahman

Singers: Javed Ali, Richa Sharma

Lyrics: Manoj Muntashir

Language: Hindi

Genre: Sufi

Mood: Romantic

Many did review and comment that the music of 'Maidan' was disappointing, on the other hand, I felt that the album had two amazing songs, one of which is featured right here. There have been many forays into 'Sufi' devotional/spiritual music by AR Rahman since his heydays when he produced albums like 'Delhi-6', 'Rockstar' etc, but this is probably the closest to that pedestal. Richa Sharma and Javed Ali bring in their A-game and give one of the most heartwarming displays of the year yet.

The intro has Richa serenading us with her slow and elaborate alaap-styled singing as Tapas Roy plays the Oud. Manoj Muntashir pens the most touching lyrics and he conquers our hearts as much as the melody, singing and production. The song is composed, arranged and produced by AR Rahman. The guitars are played by Keba Jeremiah and Shrey Gupta and they combine the Oud as well as Sai Shravanam's gentle Tabla. Faiz Mustafa and Swagat Rathore combine on backing vocals giving the song the Qawwali experience. The strings section is by Budapest Scoring Orchestra, while rhythms and keys have all been programmed very effectively and this is where Nakul Abhyankar and Sarthak Kalyani enrol as additional programmers. 

I do sense some Raag Desh in the mix here and the song keeps getting more ingrained into your system as we keep progressing. The outro is a magical moment in the song as there is the beautiful chord progression and the notes that shift from " Mera Mirza" with the engulfing strings section as well. Nitish R Kumar is the mix/master engineer, with sound engineers Suresh Permal, Karthik Sekaran, Suryansh Jain, Prashanth Venkat, Dilshad Shabir Shaikh, Harshil Pathak, Naval Chikhliya, Sivakumar S, Pradeep Menon, Manoj Raman, Aravind MS, Sathya, Ainul and Sathish V Saravanan

@arrahman @richasharmaofficial @javedali4u @manojmuntashir @mandolintapas @kebajer @saishravanam @thatfingerstyleguitarist @faizmustafamusic @swagatrathod_ @nakulabhyankar @sarthak.kalyani @sureshpermal @prashanth_._venkat @suryanshmusic

4. Helplessly

Performed by Nidhi Wagle

Written by Nidhi Wagle

Produced by Mihir Degaonkar

Language: English

Genre: Blues Pop

Mood: Romantic

Nidhi Wagle is a talented vocalist and musician and like many I respect and adore, she too never compromises on the quality of music. She writes the melody and lyrics and performs the lead vocals like a freshly delivered sizzler, hot and saucy. The vocal tone is stylish and gets the Bluesy texture spot on. We hear the guitars on accompaniment, along with the mild Keys.

The highlight is the saxophone which starts somewhere during the verse and then picks up in intensity. The rhythms and vocal harmonies are all essential elements of the song's seductive and delectable output and we have Mihir Degaonkar to thank for, owing to his outstanding production. Brecilla Dsouza the talented singer-songwriter who is also a saxophonist is on the job playing the sax here. Listen to Nidhi sparkle vocally as she sings " You make it seem, like there is nobody else for me" and she reaches for the higher vocal register here with great style too. 

Brecilla's saxophone is not just an intervention, because her melody is written like a constant and inseparable cog in the wheel. This song is one for the twilight part of the day and if you want to woo your partner, play this at least, if not sing. Rahul does the mixing and mastering. 

@nidoox @mihirr_d @brecilladsouza @mixedbyrahul @anuja.wagle @f2.two @firstwav 

5. Stranger

Music and Lyrics by Rono

Produced and Mixed by Rono

Language: English

Genre: Alt-Rock

Mood: Relaxed

An absolute masterpiece, in 3 simple words. I have featured Rono a.k.a. awkwardbong on IG. In my opinion, this will go down as his best work yet and even otherwise, this is one of those songs that satisfies the soul of the listener. The acoustic guitars by Rono (Ronit) are nothing short of scintillating and they could just be a separate instrumental piece as well. I keep waiting, as Rono progresses into the chorus segment and I feel the pain mildly emanating when he starts singing "ohh the city has changed us, Its making us stranger". 

Dhir Mody begins his role as the drummer gently easing into the verse and the ears are glued to Rono's mesmerising vocals and affecting lyrics. The lead guitars by Rono and bass by Yohann Coutinho make for some luscious strokes that elevate the overall depth and look of this painting. If you listen closely we hear Anoushka Sivasankar on backing vocals and that adds a sense of gravity to the message that Rono is delivering here. The tracks are mixed by Adith and the superlative production is by Rono. 

@awkwardbong @barkhasingh0308 @taaabus @anoushka_sivasankar @yocouts @dhir.mody @xadithx

6. Diana

Producer: Derek Mathias 

Lyrics, Acoustic Guitar, Vocals: Frizzell DSouza 

Language: English

Genre: Blues Pop

Mood: Romantic

Derek & The Cats have been regular for the work in 'Instrumental Pieces' and among the Best of 2022 and Best of 2023, I had enlisted their work. Here we have something new, a single with Derek & The Cats featuring a talented singer-songwriter viz. Frizzel Dsouza. She writes the lyrics and there she scores a lot of points like "I feel like a pawn under the rubble, Don't make me cry", where she gets the message delivered clearly. When it comes to the vocal tone, and delivery Frizzell has it all covered thanks to the vulnerability and shivering in her voice. 

Adesh Vinod plays the steady and flowy guitars, and then within a brief space of time, notes Derek Derek Mathias and Anand Murali play the mellifluous Piano. The terrific lines both lyrically and musically as she sings "I could read you like a looking glass, Print So fine, we were divine, I was your Diana". A momentary pause arrives that makes it even more breathtaking when they re-start, Joel Rozario jumps in on percussions, Jason Sharat on drums, but the one taking the lead is Vishal Varier on the stylish and funky bass guitars. 

The acoustic guitars are played by Frizzell and she just goes through these lines like a walk in the park. The moment where the song becomes extremely saucy and we feel the heart turned on is when Gautam David starts playing the Saxo solo. From then on we are in for a treat as the lead guitar solo sprays such style in the solo. The outro of the song feels like a catharsis with Frizzels fantastic singing, the lyrics that go " As I break free from you, You let me find Glory". Derek takes a bow for the production and Vivek Thomas for the perfect blend of all the tracks on mixing and mastering. 

@frizzell.dsouza @_prarthanashetty @derekandthecats @owl_joel_son @anandmurali98 @jasonsharat @vishal.varier @gautam.david @withvkey @mr.derekmathias

7. Masoom

Singer: Aneet Padda

Music: Aneet Padda

Lyrics: Aneet Padda

Language: Hindi

Genre: Pop/ Ballad

Mood: Pathos

The album "Big Girls Don't Cry" had good songs and I have featured a couple of them on my website, including an IG video review of the whole album. Here comes a gem from a young singer-songwriter and it feels like discovering this talent. When it begins we have just a Ukulele aiding in the background. The guitars and piano start making the background layers more enticing and giving necessary support to that lonely and trembling voice of Aneet Padda

Aneet writes these heartfelt words of confession as she cries out loud " ab masoom nahi hoon main". The strings section strikes the same tone of sadness that we hear in the words and the delivery by Aneet. That humming is powerful and it is such a revelation to hear Aneet use her vocals to great effect, to show vulnerability, and frustration all at the same time. Listen to her soar in the higher vocal registers and toy with her voice as we approach the outro of the song all the production too feels larger than life. 

@aneetpadda_ @nityamehra19 @iamsuds @primevideoin

8.Na Koi Is Duniya Mein

Composer, Author: Neyhal

Associated Performer, Singer, Writer: Neyhal

Producer: Aditya Shukla, Timothy Thampy

Language: Hindi

Genre: Pop Ballad

Mood: Pathos

It has been a while since I featured the exciting young singer-songwriter Neyhal, but I am glad he is back, and that too with a worthy track like this. This was written back in 2019, and the song will appeal to anyone who feels alone and lost in a new city. Dhananjay's guitars work well with Neyhal's angelic and unadulterated voice. He has this ability to emotionally touch you and a small droplet of tears comes out when I hear him sing " bura na socha kisi ka, kyun hota hai aisa, na koi es duniya main mera". The chorus segment just ends leaving us in sadness and the strings add on to the misery beautifully. 

Neyhal pens the lyrics writes the melody and handles the lead vocals, all with absolute grace and charm. The producers are Timothy Thampy and Aditya Shukhla who have nailed the arrangements and sound design. The second verse has the Piano, guitars and strings all combining well, including a slide guitar (if I am not wrong). Here we hear Neyhal, slowly recovering from rock-bottom sadness and this mood is also portrayed by the introduction of the terrific drums by Sahil and electric guitars in the interlude. The outro section is where the team works their magic. The recording engineer is Hersh Desai and the mix/master engineer is Aditya Shukla.

@neyhalll @timothythampy @bunnssss_ @sahilplaysdrums @firstwav @dhananjaychhetri @hersh.desai.9 @studioislandcity @ramilganjoo 

9. Darbadar

Vocals by Asees Kaur, B Praak

Written by Akshay & IP Singh

Produced by Nakul Chugh

Language: Hindi

Genre: Pop

Mood: Contemplative

This is the only saving grace of the album 'Crew'. I was disappointed with all the rehashed Bollywood music from the 1990s. This song however is a breath of fresh air and as expected Akshay & IP make this experience worthwhile. Every element gets a tick on the box, like the vocalists for starters. Asees Kaur and B Praak need no introduction, and they are world beaters, so much so that they can even magnify and elevate the impact of a very average-sounding song.

There is no worry of that sorts here as Akshay and IP compose and write a slow ballad that grows on you. My favourite part is when Praank sings the title line " Main toh dhoondhoo darbadar" with some scintillating and electrifying keys and rhythms. Nakul Chugh is a very talented indie producer and he comes on board to produce this, and God does he shine. Asees Kaur has this ability to put everything in our world on a pause mood, and the music lover can feel nothing else but her voice. The Asees Kaur humming followed by the Harmonium in the outro was a fitting end to the song. 

@nakulchughh @akshayandip @safirock @bpraak @aseeskaurmusic

10. All in me

Performed by Inayat Kaur Bajaj

Written by Ayush Handa, Inayat Kaur Bajaj, Sidharth Gupta, Utkarsh Varma

Produced by Ayush Handa, Sidharth Gupta, Utkarsh Varma

Language:

Genre: Rock

Mood: Energetic

I discovered Inayat Kaur Bajaj earlier this year when she released "Can I Change". She is all of 15 and she sings like these unbelievably shot dreams from the movie 'Inception'. At this rate, she will end up making the most reviewed music in 2024 by a single artist, but I sincerely hope and pray that such a brilliant musician stays focused and committed to making great music. The song is something belonging to the Rock genre and once again how does this Hindustani Classical trained vocalist perform something which lies 180 degrees to the other side of the spectrum? 

Ayush Handa, Sidharth Gupta and Utkarsh Varma are the producers and they give us such perfect soundscape filled with electric guitars and drums, to let Inayat shine in her elements. The tone is kind of reminiscent of "Everybody" by Backstreet Boys. There is a moment of magic just before the chorus segment when Inayat does the impossible, a twisty high-pitched vibrato. Listen to it, to believe it! She goes about delivering the lines with such chutzpah and charisma and her improvisation is immaculate. The song is written by Inayat, Ayush, Sidharth, and Utkarsh and it is tailor-made for Inayat's precocious vocal abilities. The outro is just another extended performance of some free-style singing. 

@ina_yat_kaur @handamusicofficial @flipstudiosindia @_youteee_

11. Anuvanuvuu

Music Composer - Sunny M.R.

Lyricist - Krishna Kanth (K.K)

Singer - Arijit Singh

Music Producers - Ajay Joseph, Al Nishad, ZIA & Sunny M.R.

Language: Telugu

Genre: Light Music/Pop

I did claim that this will end up being the best Telugu album of the year last week on my IG page where I reviewed the album "Om Bheem Bush". This is one of 2 songs that wowed me and floored me. Sunny MR is one of the most consistent and respected composers/producers out there and after years and years of working with Arijit and Pritam, he makes his full-length Tollywood score. I am not sure about the movie, but the songs are phenomenal. It feels nice hearing Arijit's voice in Telugu, but if any of you native speakers of the language feel different about his diction. do let me know. 

The tune flows through my ears and then right through into my bloodstream, and I feel alive. The highlight of the song is its grand orchestral arrangements and production thanks to Sunny, Ajay Joseph, Al Nishad and ZIA. The Budapest Scoring Orchestra is at the helm with Peter Illeyni as conductor and Balasubramanian G as Orchestra Co-ordinator. Haritha Raj makes an entry, probably playing some notes that resemble the Raag Hamsadhwani in the interlude and she is now one of the most wanted Veena exponents in the music space. The Western-styled rhythms and keys keep this fusion quite engaging and remind us of AR Rahman in his heydays. 

The second half of the stanza is where things get elevated "Tharalaina Thakaleni Thahathunna Premani", in terms of the melody. Harjot Kaur is the vocal producer for the song and the lovely lyrics are penned by Krishna Kanth. The combined effect of the strings section and the rhythms is mesmerising and it leaves an etched impact on the heart. Midhun Manoj along with Jobin Rajan are the recording engineers and the mixing and mastering transpired at Sunny's Chordfather Productions. 

@sunnymr @nabeelzubair_ @ziamuzik @ruaakayy @alnishad @ash_scores @kishorbeatz @haritharajveena @kk_writer1 @bala_musician @midhunmanojj

12. Main Tera Hua

Singer, Lyrics, Composition - Hrishi Pandey

Arranger - Shobhit Sinha, Shubham Sinha

Language: Hindi

Genre: Light Music

Mood: Romantic

A song like this comes out of the blue and it makes me wonder why Bollywood music sometimes falls behind when there are so many talented indie musicians around in the Hindi space. Too little is being done to provide opportunities for these artists and I hope they get their due recognition sooner, and that is the aim of this website. Hrishi Pandey is someone I am hearing for the very first time and I am mighty impressed. 

Hrishi writes the melody and the lyrics along with lead vocals and when we crossover from the intro and pre-chorus to the chorus segment, the song gets elevated thanks to the vocals and terrific instrumental arrangements. Shobhit Sinha and Shubham Sinha are in charge of arrangements and they get the violin and the guitars to coincide and decorate the background of the song quite effectively. The Violin is played by Sandipan Ganguly and the guitarist is Sayan Das. 

Vocally, Hrishi is close to blemishless and as a music lover, you are swayed and struck hard by the melody, and execution of the vocals and live instrumentals. The interlude sees Sandipan taunt us even more with the Violin solo, and he continues to do so even during the verse in admirable fashion. Hrishi composes a very heartwarming melody in the verse and his tone sounds a bit like the amazing Vishal Mishra. The way both Sandipan and Hrishi play around is phenomenal, as they both are freewheeling with amazing impulsiveness and improvisations are plenty. Kudos to both for their degrees of freedom envisioned and executed. The outro after the mild Piano is on the elevated register and that works like most songs do. Jyotirmay Roy is the mix and master engineer and all the recording has transpired at JMR Music Studio. 

@jmrmusicstudio @sandipan_violinist @hrishi.pandey.180

13. Kappe Raaga

Lyrics: Pradeep K Sastry

Music Composed & Arranged By: Ashwin P Kumar

Singers: Rajesh Krishnan, Arundhathi Vasishta

Language: Kannada

Genre: Light Music

Mood: Devotional

The song has some majestic sound design and production, and I am happy that Ashwin Kumar reached out to me with this song. Ashwin composed the melody and handled the arrangements. The vocals of Rajesh Krishnan are emphatic and bring in a sense of devotion and divinity. The lyrics are by Pradeep Sastry and the song means 'The Frog Song". 

I can hear the mild Pianos and the strings section in the background, the latter is by Bangalore String Ensemble and the amazing instrumentalists on Violins, Viola, Cellos and Double Bass are Simon Augustine Sandhy, R Rangaswamy, Jeffrey Martin, Nelson Prabhukumar, J Jayarajan, Beryl Sandrina 

There is a tonal resemblance to that of SP Balasubramanian in Rajesh's voice. The backing vocalists come on board in the swara delivery and here too we have some amazing singers like Rohit Bhat, Madhwesh Bharadwaj, Meghana Kulkarni Joshi, Meghana Bhat and Pooja Rao. I do hear fragments of Ragam Kalyana Vasantham or Maybe Ragam Keeravni. The brilliant Nakul Bhyankar is the programmer for the song and he brings in elements to the output. The pathos is slowly seeping in with the humming by Arundhathi Vasishtha. 

The recording engineers are Giridhar Divan, Ashwin Prabhath and Rangaswamy. The tracks are mixed by Varun Pradeep and mastered by Ramesh Kidaambi S. The outro has some solid rhythm programming giving the song a good climax and the accompanying woodwinds in the background complement well. 

@kapperaaga @pradeepsastry @pkashwin @rajeshpnayak @manjudrums @poojarao22 @arundhathi_vasishta @shakthidharvr @officialrajeshkrishnan @hombalefilms @nakulabhyankar @ayemeghana @jmeghana

14. Sufiyana

Singers: Ram Miriyala, Sameera Bharadwaj, Ramya Shree

Lyrics: Sri Mani

Music: Ram Miriyala

Song Programmed & Arranged By: Ram Miriyala, Arun Chiluveru, Aaron Zoro

Language: Telugu

Genre: Semi-classical Light Music

Mood: Romantic

We have known the singer Ram Miriyala, and he possesses one of the most recognizable voices in Tollywood, and even South India. Here he comes in as a composer and lead vocalist for this Raag Reetigowla-led melody (Bhimpalasi). All the arrangements and programming are by Ram, Arun Chiluveru and Aaron Zoro and they make it one delectable end product. 

Arun plays the guitars all along in the one way he knows, savvy. We keep hearing mildly, Sandilya Pisapati's intervention on the Violin and it just adds vigour and vitality to the track. The accompanying Keys, flute by Sarath and all the energetic percussions by Ricky, Akshay Athreya make the song extremely enjoyable and peppy. The song's tone and texture make me wonder if there is a close resemblance to a Harris Jayaraj composition. The interlude is filled with some innocence and goodness emerging from the voices of Veda Vagdevi and Sragvi Sahithi Vachespathi. The tracks are mixed and mastered by Shadab Rayeen at New Edge. I love the outro with the female voice rendering the swaras. 

@miriyala_ram @vneoffl @nayansarika_05 @narnenithiin @kalyafilms @jungleemusicsouth @arunnchiluveru @sandilya_pisapati @sameerabharadwaj @shadabrayeen @aaron.zoro

15. Hassi (Zindagi)

Composition, Lyrics: Kapow!

Mayank Mittal - Lead Vocals

Language: English

Genre: Alt-Rock

Mood: Energetic

This is an ambitious but achievable target that the band Kapow! has set itself, a song release every month in 2024. I am more interested in the quality over the quantity and rightly so, the band's music is more exciting with every new release. Vinod Arora starts things off with tantalising guitars that sound like "Hotel California" by Eagles. Saira Ahmed on bass guitars is cool as a cucumber, along with the mild drums by Prakhar Srivastava.

The melody written is beautiful, and I have my heart swelling when I hear " haan magar sukoon ki neend aati hai", such beautiful notes along with guitar and drum accompaniments. The song gets into some rejuvenating rock mode and Mayank's vocals are the lifeline for the song. The interlude is when Ritic Joel makes a foray into Keys. The chorus segment is loop-worthy and we get a succulent interlude section with Ritic, Prakhar, Saira and Vinod converging to create some phenomenal music. 

@eternalramblings @itskapowtime @mcgilheri @ba_dum_tiss_ @riribuoy @saira.aafreen @swati.mahipal @abhiprainayyar

16. We’re Stars

Performed by Nagaland Collective

Written by Imcha Imchen, Theja Meru

Language: English

Genre: Pop

Mood: Energetic

This song immediately creates an upbeat mood, with an upsurge of energy and emotions. No wonder it was created and used as the anthem for the Nagaland Olympics in 2024. Music from the NE parts of India is of terrific quality and this band from Nagaland is just raising the roof. Multiple stars are performing and the melody and lyrics are written by Imcha Imchen and Theja Meru. 

The keys and rhythm programming are ecstatic and with some feisty vocals we can just not avoid being drawn into the song and the body just starts to groove. Every vocalist comes in with a cameo that stays memorable. One can hear some creative improvisations on vocals by the female lead singers especially in the background as we approach the outro. 

@li.yepthomi @yangman_lukhim @chuba_imchen_ @yimkumla @elizabeth_khing @a_t_o_lohe @k_ekhrie @nagalandcollective_