Top Indian Songs of the week 14th June 2026

If you are a musician wanting your new release to be heard and reviewed,  submit your music here.

Here are the best songs released in India across languages and genres for the week ending 14th June 2026

1. Yegandhi

Vocals: Sathyaprakash & Aparna Harikumar

Music composed, arranged and produced by

Lyrics: Karthik Netha

Language: Tamil

Genre: Pop

Mood: Romance

A beautiful song doesn't wait for long; it hits you with the first note. The strumming of the guitars by Godfray Immanuel is so mellifluous, and it feels like a moment in paradise. It reminds me very vividly of the intro guitars of Coldplay’s “Sparks”. A flute solo comes on and breathes fire into the proceedings, and is there some Hamsadhwani Ragam I am hearing in the melody? Maybe. The tempo, the melody and arrangements are all so refreshing considering how noisy, loud and preposterous songs have become these days. I love how Sam CS has composed the melody and done these enticingly romantic arrangements.

Listen to the mild Piano and harmonies “Yedhedho Nee thedi vaadathe Yegaandhi” as the counterpoints on the Piano and Clarinet, by Nathan,give off a very Jazz style here. Sathyaparakash is in terrific form here, singing these lines with tenderness. Karthik Netha writes the lyrics, and this song can completely take over your mind when you sit alone and listen to it. Vignesh plays the solo violin in the interlude, as he teases and tantalises with that quirky style. “Settril pookkum siru poovam vaasam alli veesum”, writes Karthik Netha to evoke all the strong emotions of love. Nathan comes and plays the flute solo, and it has been ages since a film song has had two variant interludes, so thank you, Sam CS, for that. One of our finest playback singers, Aparna Harikumar, comes on very late, but what a cameo it is. She sings “ Yaarag Nee aana pothum”, and she wins my heart. 

2. Lihaaz

Composed by Abhijeet Srivastava

Lyrics: Shayra Apoorva

Vocals: Samyak Prasana

Music Production: Karasama Beats

Language: Hindi

Genre: Pop

Mood: Romance

Here is a composer who has always been creating something hummable and catchy, and that is why Abhijeet Srivastava generates a certain amount of expectation and hype surrounding his indie releases. Here, he introduces a young, talented vocalist, Samyak Prasana, with composition duties handled by Abhijeet. The usual suspect, Shayra Apoorva, comes on as the lyricist, and the music production is by Karasama Beats. The soundscape is recognisable that it belongs to an Abhijeet discography, and when the lines begin, you start paying attention to Samyak’s vocals. The catchiest segment is the pre-chorus, where we get a pause, and then, with some delightful rhythms, we get launched, as Samyak sings “Milta ab jo sukon hai teri baahon mein, aisa pehle kahin na mila. 

Everything here is top-notch with Samyak’s dream vocals, Shauras intense romantic lines, the melody that swoons you and some simmering production by Karasama beats. “isi lihaaz se hum aapse yeh kehna chaahte hoye na juda kabhi, ho aisa raabta” is the icing on the cake. The Sarangi in the interlude feels like a bit of Raag Darbari to me, with some strains of the Sitar as well. I must give an ovation to Samyak, because his tone, his gleaming voice with perfectly strewn vibrato, is something that makes my heart grow fonder. The line in the Antara “hum to nahin tere kaabil huye phir bhi tumne chodi na yen baahen meri” is a case in point. I like how the song’s intensity zooms up with the introduction of drums, and it feels like an infusion of some rock flavours that work perfectly. 

@gibsonbha @shayra22 @samyakprasana @karasama_beats @vedaant.music @believemusicindia @unboundrecordz @abhijeetmusic 

3. Bloom

Composed, arranged, and programmed by Barath Dhanasekar

Lyrics: Fatin

Vocals: Abhijih Anilkumar and Meghna Vijay

Language: Tamil

Genre: Pop

Mood: Romance

I recently reviewed a fine song by Charulatha Mani from ‘Loopd’, and here is another excellent song, this time by this budding talent called Barath Dhanasekar. Barath has composed the melody, done all teh arrangements and programming as well, and he also gets on board two fine lead vocalists to deliver the lines as well. We get a fine high-pitched vocalisation along with the Ukulele and acoustic guitars in the intro, making the song already inviting. The song graduates into a very catchy pop single as teh rhythms take shape, and we get a layer of backing vocals with some humming as well. Barath and Akshaya Shridhar are the baking vocalists. 

I like how Fatin writes these words in Tamil and English, which makes it more appealing to the younger generation. The harmonised “En Anbe” with Akshaya and Barath stays long on your mind. The song’s biggest strength is its shining melody. Listen to this segment where the outstanding Abhijith sings “ unadhu vizhiyil yenai indru parkumbothu, unakkulle maattikondene, yenendru solla” especially the notes on the last two words. This is what wins hearts. Kudos to Barath. The song then zooms into outer space with the amazing chorus lines “Scooty a vanthail otturenvaa, ooraye na suththi kaaturen vaa” followed by a classical sound ghamaka. Robin Sebasitain plays the rhythm and lead guitars, and Bala joins the party on the solo Nadaswaram in the interlude. 

Meghna’s high-pitched charanam complements beautifully, and my favourite line here is “ Asaiyamal, Isaindhene, Avanodu Keetidum Padalile” with the fantastic chord progression on the second half of the line. Sebastian Sathish and Keshav Vinod are the keyboardists, with Laxman Arvind on bass providing some funky style. Robin Sebastia plays the Melodyne, and we also have a layer of Kazoo thanks to Barath’s solo effort. The recording engineer is Amal Mithu. 

@loopd_official @barathdhanasekhar @divomusicoffcial @meghnav2112 @akshaya_udayakumar @vinayak_vaithianathan @fatin.img @abhijithanilkumar_ @robinsebastianmusic @shridharakshaya @keshavvinodmusic @laxmax_3483

4. Satao Na

Vocals: Janani Kamakshi

Written and composed by Janani Kamakshi

Music produced by Shubhank Chaube

Language: Hindi

Genre: Semi-classical Fusion

Mood: Immersive

The moment we hear Janani Kamakshi’s faint aalap in the background during the intro, I am mesmerised. Yes, her voice, the beautiful classical Raag on which the melody is composed tend to harass (Satao) my peace, and that is in a good way because that is what fine music can do to you. She sings with such a beautiful tone and blemishless high pitch , giving some delectable harkatein as well. I assumed this was based on Raag Ahir Bhairav (Chakravaham in Carnatic), but when I discussed it with Janani, she told me it is more influenced by Dharmavathi/Madhuvanti. 

Janani has composed the beautiful, heart-rending melody, written the deeply affecting words and also sung it like a never-ending dream. The music production, which uses some fine Lo-fi elements and pop flavours as well, is all thanks to Shubhank Chaube. There is also a male humming during the intro and sounds of windchimes that take me to a happier place. Shubhank employs some keys, very interesting rhythms, all of which just elevate the listening experience; kudos to the creativity. The Antara is all about Janani’s scintillating vocals; listen to her sing “har pal mein tum, phir bhi kyun kam”, and the mind just surrenders to the evocative delivery here. The tracks are mixed and mastered by Akash Shravan, and the artwork is by Anukriti. 

@jananikamakshiofficial @akashshravan @shubhankchaube_ @anukriti_._

5. Ada

Composed and Sung by Twinkle Aggrwal

Lyrics: Twinkle Aggrwal and Saanya Srivastava

Music Produced by Ashish Zachariah

Language: Hindi

Genre: Pop

Mood: Pathos

A gentle strumming of the rhythm guitar and a faint lead guitar intervention feel like a warm invitation to listen in, and there is much intrigue in the way Twinkle Aggrwal delivers this line, “par bhool bhi na paaya koi”, calmness personified. I love how Ashish Zachariah introduces a slide guitar and some accompanying harmonies. The song’s immense appeal is also in part thanks to Ashish’s immaculate production. The melody and vocals are by Twinkle, with lyrics co-written by Twinkle and Saanya. The mesmerism starts to rise when we get to the pre-chorus and chorus segments as the violins add more melancholic flavours, and there is more oomph in her voice. “Mere aage jab bhi toh yun aaye, aa muskuraaye, bhooloon saari katha”. All though this the notes on the Piano linger and make a statement by themselves. 

Abhishek Mittal plays the guitar, and Ashish decides to keep everything minimal as the second verse comes on. It is only a little into the second verse that we get Abhijit Sood, making a foray on those reverberating drums, and the slick lead guitar starts to make an impression too. Twinkle shines in this whole contralto-ish vocal performance for most of the song. And then the floodgates break as she “tere khayalon mein doobha yahin” with such gusto. The way the drums and guitars pause and hit with high intensity is just memorable, in its effect. Shikhar is the recording engineer. 

@twinkleaggrwal19 @devyani_chopra @saanya.srivastava @maaramaari @soothermusic @happynotesmusic @shikhar.musica @gingergroovestudios @firstwav

6. Kara Kaviyaathe

Composed and arranged by Govind Vasantha

Singer: Abhijith Anilkumar

Lyrics: Anvar Ali

Language: Malayalam

Genre: Light Music/Pop

Mood: Romance

In Govind we trust, yeah, and when his name appears against the Composer’s title, it starts to create these expectations of something pure and poetic. Anvar Ali pens the lyrics for this beautiful melody composed and arranged by Govind Vasantha. I am quite elated to see that the lead vocalist is the fabulous Abhijith Anilkumar, who is a dynamite of singing talent packed into one. Listen to the flowy acoustic guitar by the amazing Durwin D’Souza, who is also the bassist on this project. I cannot wait for the album and the movie to be released soon, because it all looks ravishing for “Chinna Chinna Aasai”

Listen to the stunning basslines and how they pause along with the rhythm guitar, only for the Piano to stay with us. The pacy pianos are outstanding, creating a surge of emotions, especially love and joy, when hearing these brisk notes. Once Abhijith starts singing, we fly to the moon and back, as he adds so many classical-style ghamakas in between. We are in the middle of an unforgettable dream when he aptly sings “swapnam pole”. Do I hear some traces of Yamunakalyani Ragam or maybe even some Maand? The melody just flows like water and takes many shapes and forms, but never stops to bring delight. Govind’s classy writing is visible in eacn every note and every second of sound design and arrangement. 

An interlude with all the guitars and a fine alap in the background leads us to a fine outro with both Govind and Abhijith singing, wishing this segment would never end. Aswin at K7 Studios is the recording engineer, and the tracks are mixed and mastered by Rajan KS.

7. Kaahe Sataye

Written and performed by Reeshabh Purohit and Harsh More

Music Produced by Reeshabh Purohit and Harsh More

Language: Hindi

Genre: Pop fusion

Mood: Ecstatic

When talented, trained musicians come on board and collaborate, it makes my job as a music lover and journalist feel like bathing in the sun after a nice session in  the pool. It is everything I could ask for to keep my mind at peace, and here are two amazing musicians, Reeshabh Purohit and Harsh More, who combine classical Indian melodies with western pop sensibilities to give us a ravishing track. Reeshabh and Harsh have composed the melody, penned the lyrics, and handled all the arrangements and music production with unmistakable finesse. The Keys and rhythms are mild and allow Reeshabh to dominate proceedings with his vocal prowess. The intensity rises with slightly more urgent beats as he sings “ milke bhi mil na paaye” and we know of this man’s abilities the moment he delivers that delicious and difficult harkatein at the end of “dekho main kab se hoon yahan”. 

He might be singing “ hoon yahan”, but vocally, he has drifted apart and travelled to so many mutiverses with his vibrato, and only he returns to the current space. The guitars and keys are sparkling with love and resplendence when we get to the chorus segment as he sings “ ssajan ab toh ghar aa” and it feels like being invited home. Harsh plays the electric guitar. He then joins with his English lines, and when we hear these alternating lines, “ Oh, oh, oh, don't let me go, Aao Na mujse milo”, it sounds appealing. Even production-wise, the guys have done some catchy stuff if you pay attention to the keyboard programming. The tracks are mixed by Harsh and mastered by Reeshabh. 

@reeshabhp @notharshmore @a_man_onajourney @shrerox

8. Hey June

Written and performed by KL Pamei

Music produced by KL Pamei

Language: English

Genre: Pop

Mood: Romance

I have featured this fine Naga artist enough times to know how good his music release will be, and so his latest single, “Hey June”, made for a delayed monsoon by showering us with some good music. The song begins with those lavish lead guitars and drums, and somehow the intro reminded me of Matchbox Twenty’s “Unwell”. Well, that is an honest and memorable compliment. The world grows silent and comes to a standstill for me when I hear Pamei’s voice. This is the voice of royalty, of sheer magnetism, and one can just oblige by closing their eyes and paying attention to every note he delivers. The heart just soars into absolute joyous animosity when we get to the chorus segment that goes “Hey June, Thank you for walking into my life”. You can hear the acoustic guitar, maybe a Ukulele/Guitarlele  too and the song is beautifully produced by KL Pamei himself. 

The song is written and performed by Pamei, and he gets his mate and bassist, Augustine Eliem, to do the honours. I love that nice modification to the chorus with “ Thank You for walking right in , for walking into my life”. The writing is heartfelt, and it sparks such a strong wave of romance. A brief bridge section comes up, and we get a final goodbye with this gentle touch of romance. June might go away and enter July, but “Hey June” will stay with us for longer. 

@klpamei @prod.byklpamei @augustine.eliem @melodycentre2022

9. …Aayi Tu Aaayi Tu

Written and performed by Mohit dogra

Vocals and Music produced by Mohit dogra

Language: Hindi

Genre: Pop

Mood: Romantic

Mohit dogra goes solo in this very soothing pop single as he writes the lyrics, composes the melody, performs the lead vocals and also produces the song beautifully. The layers of vocals with the title line “Aayi Tu Aayi Tu”. The rhythm guitar by Mohit creates the tempo as we get the fine sound of pop music on keys and rhythms. The singing is very hypnotic thanks to teh attitude and casual nature of the delivery. It is a simple melody, but other things are done right to keep it ringing in our ears. 

The acoustic guitars and the harmonies are elements that work heavily in the song’s favour. There is also a nice lead guitar solo that plays softly in the interlude and continues as a counterpoint when the second verse resumes. Simple can also be beautiful and effective, and Kudos to Mohit for proving that here. 

@iammohitdogra 

10. Ammaputhappe

Composed, Arranged and Produced by Vishnu Vijay

Singers: Vineeth Sreenivasan and Vishnu Vijay

Lyrics: Suhail Koya

Language: Malayalam

Genre: Pop

Mood: Chirpy

Never keep Vishnu Vijay out of the competition, because if I were to name 5 film composers that always shine and creatively breach a bar, then Vishnu Vijay is definitely in that list. Here he is with a new project in Mollywood called “Athiradi”, and his song impressed me straightaway. Vineeth Sreenivasan is the lead vocalist, and this melody is so heartwarming thanks to the constant rhythm guitar and the fantastic chorus section,  thanks to the performers of the Sri Swathi Thirunal College of Music, Trivandrum. The melody feels like it has influences of Raag Bihag, to my ears.

The humming by the chorus singers reminded me of the famous song “Thene Thenpandi” from Maestro’s ‘Udhaya Geetham’. Vishnu plays the flute solo in the interlude, and the melody he writes for this with those keys, rhythms and synths is enticing as ever. A brief charanam follows, but once again the choral arrangements top the list of teh most beautiful things in this song. The melody also reminds me of the great evergreen “ Aabhi Na jaao Chhod Kar”, and that is maybe the song also has Yamunakalyanai Ragam traces as well. The tracks are mixed and mastered by Sujith Sreedhar at 2bq Studios with Amal Mithu and Sujith as recording engineers.

@vishnuvijay01 @suhailmkoya @vineeth84 @amal_mithu @sujithsreedhar